Unisa Creative Outputs: Recent submissions

  • Miller, Gwenneth; Miller, Gwenneth (Latuvu Art Gallery and George Museum, 2023-07-13)
    “Domestic matters” consisted of eight works presented on two group exhibitions. The works searched for expression of the often-conflictual context through which familial relationships are articulated. The shaped-format ...
  • Dreyer, Elfriede (Galerie Latuvu; Rust-en-Vrede Gallery; Trent Gallery, 2023)
    The "Song of the philosopher" research project (2023) entailed 32 artworks and three solo exhibitions: A solo in the Western Cape at Rust-en-Vrede Gallery, Durbanville (11 March - 5 April 2023); a solo at Latuvu Gallery, ...
  • Filita, Sango (https://issuu.com/arttimes/docs/art_times_october_2022_issuu, 2022-10-08)
    This body of work is inspired by how commemoration addresses some of the changes and developments after democracy in South Africa. My work portrays a visual representation of South African heroes who are now commemorated ...
  • Bombo, Ndabuzekwayo (Pacina Pictures, 2022-08)
    Shaka Inkosi yamaKhosi is a short animation film that is set on the narrative of uShaka ka Senzangakhona – the ruler of the Zulu kingdom/nation. A short synopsis is presented below before a full description of the work ...
  • Bombo, Ndabuzekwayo; Bombo, Ndabuzekwayo (Mageba Music, 2020-08)
    Ndabo Zulu and Umgidi Ensemble, is aimed at enabling the necessary inclusion of Nguni traditional themes/songs to an existing hybrid orchestration and the ability to create a sonic space for these themes, which helped ...
  • Devroop, Karendra (2022-02-11)
    The saxophone, an instrument renowned for its expressive capabilities and versatility, has found a significant place within the traditional orchestra, marking a departure from the orchestral norms of the past. Furthermore, ...
  • Devroop, Karendra (2022-09-11)
    The piano and saxophone duo has emerged as a powerful musical combination, demonstrating the evolution of both instruments and their significant role in shaping contemporary music. The piano, dating back several centuries, ...
  • Miller, Gwenneth; Miller, Gwenneth (RK Contemporary, White River and Unisa Art Gallery, 2022)
    The project “Under the surface” consisted of 22 new works in a range of media. The installations were interactions between specific ‘ecologies’ of people and places. I used three group exhibitions as an emergent method of ...
  • Odunayo Orimolade; Nombeko Mpako (Yusuf Grillo Gallery. Yaba, Lagos, 2022-07-10)
    Annotation: NIGERIAN LEG: Covid19 African masks collaborative visual art practice-led/based project This practical project formed part of the “Covid19 African masks collaborative visual art practice-led/based project” ...
  • Odunayo Orimolade (UNISA Art Gallery, Unisa Muckleneuk Campus, Pretoria, 2022-10-08)
    Dune Whispers was a drawing performance employing the shifting nature which both generates and degenerates earth as a navigational space where change is continuous and re-imaginable. The performance engages the ethereality ...
  • Permeate 
    Odunayo Orimolade (Yusuf Grillo Gallery, Yaba, Lagos, 2022-12-10)
    This performance project engages power structures and how are informed by Permeation, resistance, and circumvention. The Limbo of strategizing and negotiation of spaces constructs fabulation on the perception of power, ...
  • Mpako, Nombeko (Norval Foundation gallery in Tokai, Cape Town, 2022-02-09)
    This Series is composed of eight panels of printed tapestries/textiles and further reinterpretation of two of the panels’ subject matter reproducing images that encapsulate the theme of this series, which is self-forgiveness. ...
  • Mpako (Durban University of Technology - Art Gallery, Durban KZN, 2022-09-24)
    The exhibition “Izandla Ezihle Zabazalikazi” meaning “beautiful hands of motherhood” was activism for single parenting motherhood presented through actionism artistic discourse. It sought to present the argument that single ...
  • Mpako, Nombeko (Unisa Gallery, 2022-09-24)
    SITHWELENZIMA BAZALIKAZI “Sithwelenzima Bazalikazi series 2022” (we are struggling fellow mothers) is composed of photographs of staged performances of myself and sometimes with other women performing challenging mundane ...
  • Mpako, Nombeko (Unisa Art Gallery, 2021-09-24)
    “Lamaphupha ithini kanti into yawo 2021” series, meaning what is the meaning of these dreams is composed of photographs from performances some manipulated to complete the context and narrative of “surrealism”. Included ...
  • Mpako, Nombeko (University of South Africa Art Gallery, 2021-09-24)
    Installation “Ndithunuke ndizophola 2021” series. Ndithunuke ndizophola is an elevated 10m x 10m slopping octagon labyrinth with network of paths on which viewers walked through red maze lines to the centre where a stop ...
  • Knowing 
    Orimolade, Odun (2021-10-09)
    This body of work titled “Knowing” explores trajectory of space and action as an intuitive development of reflection and reflexivity. It engages with internal reorientation for external navigation. The space, the work and ...
  • Maja, Kabelo James Kwame (2021-11-15)
    The artworks Whistleblowing and Precarious power form a body of research work that explores the broader social paradox of ethics in contemporary societies globally, employing the understanding and visual language of soccer. ...
  • Mulungo, Bernett Nkwayi (2019-11-28)
    Ndabe Zitha String Quartet No: 1 by Bernett Nkwayi Mulungo The writing of this composition, similarly, to the Gazankulu Suite written in the same year, was inspired by compositional questions I had during my teaching ...

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