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Browsing Unisa Creative Outputs by Title

Browsing Unisa Creative Outputs by Title

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  • Devroop, Karendra (2020-12-16)
    Ancestral Home is a CD recording that I released in December 2020. The album was released in digital and physical format internationally and has to date received airplay in over 40 countries. The album has been in rotation ...
  • Miller, Gwenneth (2019)
    The small ink sketch formed part of a larger body of work in the exhibition “Enfolding”. The work simply captures the whirlpool of folded sheets at the foot of the hospital bed. The lines and patterns traced the physical ...
  • Miller, Gwenneth (2019)
    In the work “Black tears and the sea” (2019), a photograph of an unusually quiet sea on a hazy, grey day, was digitally overlaid with glass drops. The title recalls the idea of dark tears, a murky bodily fluid, as if quoting ...
  • Luneburg, Nathani (2020-11)
    Creatures of Home (2020) consists of eight framed pen and ink portrait drawings of my childhood dogs, dressed in human clothing and posing against patterned backgrounds. The backgrounds are drawn digitally with the Photoshop ...
  • Krajewska, Ania (2021)
    The series of artworks, A Dictionary of Arts and Sciences Compiled upon a New Plan interrogates Western epistemology’s overreliance on categorization and reacts against framing and hierarchical approach to the world at ...
  • Miller, Gwenneth
    "Dullstroom Dam" depicts a drained dam, emptied by the owner to restore the structure. Part of his attempt to prevent reeds from taking over, he laid rubber mats at the basin. The repetitive linear patterns of the material ...
  • Devroop, Karendra (2021-06-11)
    This creative output submission contains two separate performances with me performing in two ensembles that performed during the 2021 Unisa Virtual Jazz Festival. The festival included some of South Africa’s most high-profile ...
  • Enfolding 
    Miller, Gwenneth (2020)
    The series of artworks formed part of a project, "Enfolding" that researched memory embedded in folds and layers; captured in sites and objects. Painterly marks and stains express the nature of memory to be detailed at ...
  • Miller, Gwenneth (2018)
    "Folds: Assumed Abundance" was inspired by fabrics in Renaissance and Baroque paintings and contemporary Vlisco wax prints. This work commenced with research into the origins of colour pigments and the historical context ...
  • Miller, Gwenneth (2020)
    The first section of the ink drawing's title "Forest for my love" originates from the physical site of a park where trees were planted as an act of remembrance. The series of artworks reflect on healing rituals and ethic ...
  • Miller, Gwenneth (Unisa Art Gallery, 2021-12-07)
    The exhibition “Gills of other creatures” set out to visually explore the problem of living with death experience in my own struggle to move beyond mourning. The search developed from a previous exhibition, “Enfolding”, ...
  • Filita, Sango (2021)
    This body of work Isikhuni Sibuya Nomkhwezele, translated as ‘Burning firewood is managed by the one manning the fire’ is triggered by problems emanating from the COVID-19 pandemic, addressing some of the socio-political ...
  • Devroop, Karendra (2019-04-12)
    This creative output involved a jazz quintet performance at the 2019 Unisa Jazz Festival. The featured artists involved a collaboration between Karendra Devroop (South Africa) and internationally acclaimed jazz guitarist, ...
  • Devroop, Karendra (2019-11-10)
    This creative output involves a solo performance on my part as soloist with the Johannesburg Festival Orchestra at ZK Matthews Great Hall in Pretoria. Being invited to perform as soloist with an orchestra is a huge honour. ...
  • Devroop, Karendra (2021-10-16)
    Performances of soloists with orchestra are intense and require a lot of preparation and rehearsals because in addition to the soloist needing to have good technical ability, a host of other factors come into play when ...
  • Devroop, Karendra (2020-03-10)
    Receiving an invitation to perform with an international symphony orchestra is no small feat. From the large number of applications received by various orchestras around the world, only a handful of artists receive invitations ...
  • Miller, Gwenneth (2020)
    “The knot that cannot be untangled” (2020) developed from an end-of-life experience. Moving between the edges of known and unknown, I explored the folds in a hospital bed sheet, and the sense of returning to a universe of ...
  • Miller, Gwenneth; Miller, Gwenneth (2020)
    The work is developed from photographs of details of life-preserving equipment, such a s IV drips, monitors, electric wiring and tubes. Indian ink drawing overlays a collaged print of a laboratory from the archives of Dr ...
  • Jeffery, Christopher Derek (2020-04-30)
    Overview and problem statement Music production fetishizes expensive hardware and software solutions, implying that effective music creation is an exercise in commercial consumerism. The ubiquity of images of well-appointed ...
  • Matrix 
    Dreyer, Elfriede (Gallery at Glen Carlou; Pretoria Arts Association, 2021)
    In the Matrix series of works, the idea of an ‘other’ space is presented: Simulated, embodied and different to the experienced, physical real. The idea of a matrix is connected to simulation and illusion, and it is presented ...

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