• Domestic Matters 

  Miller, Gwenneth; Miller, Gwenneth (Latuvu Art Gallery and George Museum, 2023-07-13)

  “Domestic matters” consisted of eight works presented on two group exhibitions. The works searched for expression of the often-conflictual context through which familial relationships are articulated. The shaped-format ...
• Song of the philosopher 

  Dreyer, Elfriede (Galerie Latuvu; Rust-en-Vrede Gallery; Trent Gallery, 2023)

  The "Song of the philosopher" research project (2023) entailed 32 artworks and three solo exhibitions: A solo in the Western Cape at Rust-en-Vrede Gallery, Durbanville (11 March - 5 April 2023); a solo at Latuvu Gallery, ...
• AMAHLATHI APHELILE 

  Filita, Sango (https://issuu.com/arttimes/docs/art_times_october_2022_issuu, 2022-10-08)

  This body of work is inspired by how commemoration addresses some of the changes and developments after democracy in South Africa. My work portrays a visual representation of South African heroes who are now commemorated ...
• Shaka Inkosi YamaKhosi 

  Bombo, Ndabuzekwayo (Pacina Pictures, 2022-08)

  Shaka Inkosi yamaKhosi is a short animation film that is set on the narrative of uShaka ka Senzangakhona – the ruler of the Zulu kingdom/nation. A short synopsis is presented below before a full description of the work ...
• Queen Nandi: The African symphony 

  Bombo, Ndabuzekwayo; Bombo, Ndabuzekwayo (Mageba Music, 2020-08)

  Ndabo Zulu and Umgidi Ensemble, is aimed at enabling the necessary inclusion of Nguni traditional themes/songs to an existing hybrid orchestration and the ability to create a sonic space for these themes, which helped ...
• Marc Duby More Garde Than Avant Happen(dot)Stance 

  Duby, Marc (2022)
• Karen Devroop with the Johannesburg Philharmonic Orchestra 2022 

  Devroop, Karendra (2022-02-11)

  The saxophone, an instrument renowned for its expressive capabilities and versatility, has found a significant place within the traditional orchestra, marking a departure from the orchestral norms of the past. Furthermore, ...
• Devroop and Prins Duo 

  Devroop, Karendra (2022-09-11)

  The piano and saxophone duo has emerged as a powerful musical combination, demonstrating the evolution of both instruments and their significant role in shaping contemporary music. The piano, dating back several centuries, ...
• Under the Surface 

  Miller, Gwenneth; Miller, Gwenneth (RK Contemporary, White River and Unisa Art Gallery, 2022)

  The project “Under the surface” consisted of 22 new works in a range of media. The installations were interactions between specific ‘ecologies’ of people and places. I used three group exhibitions as an emergent method of ...
• NIGERIAN LEG - Covid19 African masks collaborative visual art practice-led/based project 

  Odunayo Orimolade; Nombeko Mpako (Yusuf Grillo Gallery. Yaba, Lagos, 2022-07-10)

  Annotation: NIGERIAN LEG: Covid19 African masks collaborative visual art practice-led/based project This practical project formed part of the “Covid19 African masks collaborative visual art practice-led/based project” ...
• Dune Whispers 

  Odunayo Orimolade (UNISA Art Gallery, Unisa Muckleneuk Campus, Pretoria, 2022-10-08)

  Dune Whispers was a drawing performance employing the shifting nature which both generates and degenerates earth as a navigational space where change is continuous and re-imaginable. The performance engages the ethereality ...
• Permeate 

  Odunayo Orimolade (Yusuf Grillo Gallery, Yaba, Lagos, 2022-12-10)

  This performance project engages power structures and how are informed by Permeation, resistance, and circumvention. The Limbo of strategizing and negotiation of spaces constructs fabulation on the perception of power, ...
• Amarhoqololo kaKim 

  Mpako, Nombeko (Norval Foundation gallery in Tokai, Cape Town, 2022-02-09)

  This Series is composed of eight panels of printed tapestries/textiles and further reinterpretation of two of the panels’ subject matter reproducing images that encapsulate the theme of this series, which is self-forgiveness. ...
• IZANDLA EZIHLE ZABAZALIKAZI 

  Mpako (Durban University of Technology - Art Gallery, Durban KZN, 2022-09-24)

  The exhibition “Izandla Ezihle Zabazalikazi” meaning “beautiful hands of motherhood” was activism for single parenting motherhood presented through actionism artistic discourse. It sought to present the argument that single ...
• Sithwelenzim Bazalikazi 

  Mpako, Nombeko (Unisa Gallery, 2022-09-24)

  SITHWELENZIMA BAZALIKAZI “Sithwelenzima Bazalikazi series 2022” (we are struggling fellow mothers) is composed of photographs of staged performances of myself and sometimes with other women performing challenging mundane ...
• Lamaphupha ithini kanti into yawo 2021 (these dreams what is their meaning) 

  Mpako, Nombeko (Unisa Art Gallery, 2021-09-24)

  “Lamaphupha ithini kanti into yawo 2021” series, meaning what is the meaning of these dreams is composed of photographs from performances some manipulated to complete the context and narrative of “surrealism”. Included ...
• Ndithunuke ndizophola 2021’ installation 

  Mpako, Nombeko (University of South Africa Art Gallery, 2021-09-24)

  Installation “Ndithunuke ndizophola 2021” series. Ndithunuke ndizophola is an elevated 10m x 10m slopping octagon labyrinth with network of paths on which viewers walked through red maze lines to the centre where a stop ...
• Knowing 

  Orimolade, Odun (2021-10-09)

  This body of work titled “Knowing” explores trajectory of space and action as an intuitive development of reflection and reflexivity. It engages with internal reorientation for external navigation. The space, the work and ...
• Whistleblowing and Precarious power 

  Maja, Kabelo James Kwame (2021-11-15)

  The artworks Whistleblowing and Precarious power form a body of research work that explores the broader social paradox of ethics in contemporary societies globally, employing the understanding and visual language of soccer. ...
• Ndabe Zitha (String Quartet No: 1) 

  Mulungo, Bernett Nkwayi (2019-11-28)

  Ndabe Zitha String Quartet No: 1 by Bernett Nkwayi Mulungo The writing of this composition, similarly, to the Gazankulu Suite written in the same year, was inspired by compositional questions I had during my teaching ...

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