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A new interpretation of sport derived from art-related aesthetics

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dc.contributor.advisor Potgieter, F. J. (Frederik Jacobus)
dc.contributor.author Shorkend, Danny
dc.date.accessioned 2016-11-21T09:12:04Z
dc.date.available 2016-11-21T09:12:04Z
dc.date.issued 2016-02
dc.identifier.citation Shorkend, Danny (2016) A new interpretation of sport derived from art-related aesthetics, University of South Africa, Pretoria, <http://hdl.handle.net/10500/21797> en
dc.identifier.uri http://hdl.handle.net/10500/21797
dc.description.abstract This thesis is concerned with understanding sport theory based on art theory. In so doing, in extending their relationship, a deeper appreciation of both may result. In turn, this may enhance our lives. While postmodern theories of art somewhat devalue the rarefied status of art, at the same time art’s openness is particularly well appointed to understanding other aesthetic domains. Scholarly attention to the so-called aesthetics of the everyday of which sport is an example, is a relatively recent paradigm shift that attempts to give philosophical weight to common, ordinary experiences as aesthetic. Art as the paradigm case of aesthetic experience is therefore useful in illuminating such experiences, one of which is sport. The results of this study are: Like art, sport idealises in its desire for perfection. Like art, sport is a second-order mimetic activity that is autonomous and reflects extra-aesthetic concerns. The implications of the postmodern language turn for art, namely detotalising and/or meaninglessness can be applied to sport. Drawing from Wittgenstein, art and sport are culturally embedded within institutional frameworks and quite simply are learnt ways of thinking and doing. Expressive theories of art were introduced which, it was found, has resonance with sport, as it can be similarly described as an expression of “aesthetic ideas”, to use Kant’s phrase. The artistic formalist perspective and the realization of form led to describing sport as aesthetically beautiful in many ways. One might apply Zangwell’s moderate aesthetic formalism to sport where formal qualities, representation and content co-exist, thus somewhat combining the above conclusions. An analysis of this kind suggests that sport may derive its meaning from an artistic perspective, at least in theory. At the same time, though not the primary focus of this thesis, one might describe the relationship between art and sport as an oscillation, if at times a dialectic, in which case boundaries between them inevitably become more complex. It is conceivable that within that complexity/struggle/play there can be self- realization and world-bettering. It is also conceivable that this is a result of the emergence of a new sub-discipline, namely sports art. en
dc.format.extent 1 online resource (313 leaves)
dc.subject Art en
dc.subject Sport en
dc.subject Idealism en
dc.subject Mimesis en
dc.subject Postmodernism en
dc.subject Institution en
dc.subject Expressionism en
dc.subject Formalism en
dc.subject Play en
dc.subject Body en
dc.subject Aesthetic en
dc.subject.ddc 704.949796
dc.subject.lcsh Sports in art
dc.subject.lcsh Sports -- Philosophy
dc.subject.lcsh Aesthetics -- Philosophy
dc.title A new interpretation of sport derived from art-related aesthetics en
dc.type Thesis en
dc.description.department Art History, Visual Arts and Musicology en
dc.description.degree D. Litt. et Phil. (Art History)


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