Institutional Repository

Browsing Visual Arts by Type "Image"

Browsing Visual Arts by Type "Image"

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  • Miller, Gwenneth (2019)
    The small ink sketch formed part of a larger body of work in the exhibition “Enfolding”. The work simply captures the whirlpool of folded sheets at the foot of the hospital bed. The lines and patterns traced the physical ...
  • Miller, Gwenneth
    "Dullstroom Dam" depicts a drained dam, emptied by the owner to restore the structure. Part of his attempt to prevent reeds from taking over, he laid rubber mats at the basin. The repetitive linear patterns of the material ...
  • Miller, Gwenneth (2018)
    "Folds: Assumed Abundance" was inspired by fabrics in Renaissance and Baroque paintings and contemporary Vlisco wax prints. This work commenced with research into the origins of colour pigments and the historical context ...
  • Miller, Gwenneth (2020)
    The first section of the ink drawing's title "Forest for my love" originates from the physical site of a park where trees were planted as an act of remembrance. The series of artworks reflect on healing rituals and ethic ...
  • Miller, Gwenneth (2019)
    "New dams from the old" was collated from photographs the artist took of ten small dams built by her father to provide water for his animals. Many of the dams were washed away, but in symbolic hope, he would repeatedly ...
  • Miller, Gwenneth (2020)
    The ink drawing depicts impressions of a hospital room and details of life-preserving equipment, such a s IV drips, a monitor, electrical wiring and a wash bowl. Central to the composition is a suggestion of a veiled figure ...
  • Miller, Gwenneth (2019)
    "Record of Pangbourne" incorporates a scan of a page from the only record book of the artist's father, where livestock and the cycles of drought and rain were captured. Reflecting on an ethic of care, the artist added an ...
  • Sorrow 
    Miller, Gwenneth (2020)
    The drawing was presented as port of solo exhibition titled: “Enfolding”, which finds an echo in Gilles Deleuze' (1993) writing on The fold. The ink drawing "Sorrow" developed as an extension of the print work “The thread ...
  • Miller, Gwenneth (2020)
    “The thread of all sorrows” was compiled from digitally cropped details from various Renaissance paintings portraying lamentation. The concepts of this work and the ink drawing "Sorrow" recognise that the experience of ...

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