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Browsing Visual Arts by Title

Browsing Visual Arts by Title

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  • Filita, Sango (https://issuu.com/arttimes/docs/art_times_october_2022_issuu, 2022-10-08)
    This body of work is inspired by how commemoration addresses some of the changes and developments after democracy in South Africa. My work portrays a visual representation of South African heroes who are now commemorated ...
  • Mpako, Nombeko (Norval Foundation gallery in Tokai, Cape Town, 2022-02-09)
    This Series is composed of eight panels of printed tapestries/textiles and further reinterpretation of two of the panels’ subject matter reproducing images that encapsulate the theme of this series, which is self-forgiveness. ...
  • Miller, Gwenneth (2019)
    The small ink sketch formed part of a larger body of work in the exhibition “Enfolding”. The work simply captures the whirlpool of folded sheets at the foot of the hospital bed. The lines and patterns traced the physical ...
  • Miller, Gwenneth (2019)
    In the work “Black tears and the sea” (2019), a photograph of an unusually quiet sea on a hazy, grey day, was digitally overlaid with glass drops. The title recalls the idea of dark tears, a murky bodily fluid, as if quoting ...
  • Luneburg, Nathani (2020-11)
    Creatures of Home (2020) consists of eight framed pen and ink portrait drawings of my childhood dogs, dressed in human clothing and posing against patterned backgrounds. The backgrounds are drawn digitally with the Photoshop ...
  • Krajewska, Ania (2021)
    The series of artworks, A Dictionary of Arts and Sciences Compiled upon a New Plan interrogates Western epistemology’s overreliance on categorization and reacts against framing and hierarchical approach to the world at ...
  • Miller, Gwenneth; Miller, Gwenneth (Latuvu Art Gallery and George Museum, 2023-07-13)
    “Domestic matters” consisted of eight works presented on two group exhibitions. The works searched for expression of the often-conflictual context through which familial relationships are articulated. The shaped-format ...
  • Miller, Gwenneth
    "Dullstroom Dam" depicts a drained dam, emptied by the owner to restore the structure. Part of his attempt to prevent reeds from taking over, he laid rubber mats at the basin. The repetitive linear patterns of the material ...
  • Odunayo Orimolade (UNISA Art Gallery, Unisa Muckleneuk Campus, Pretoria, 2022-10-08)
    Dune Whispers was a drawing performance employing the shifting nature which both generates and degenerates earth as a navigational space where change is continuous and re-imaginable. The performance engages the ethereality ...
  • Enfolding 
    Miller, Gwenneth (2020)
    The series of artworks formed part of a project, "Enfolding" that researched memory embedded in folds and layers; captured in sites and objects. Painterly marks and stains express the nature of memory to be detailed at ...
  • Miller, Gwenneth (2018)
    "Folds: Assumed Abundance" was inspired by fabrics in Renaissance and Baroque paintings and contemporary Vlisco wax prints. This work commenced with research into the origins of colour pigments and the historical context ...
  • Miller, Gwenneth (2020)
    The first section of the ink drawing's title "Forest for my love" originates from the physical site of a park where trees were planted as an act of remembrance. The series of artworks reflect on healing rituals and ethic ...
  • Miller, Gwenneth (Unisa Art Gallery, 2021-12-07)
    The exhibition “Gills of other creatures” set out to visually explore the problem of living with death experience in my own struggle to move beyond mourning. The search developed from a previous exhibition, “Enfolding”, ...
  • Filita, Sango (2021)
    This body of work Isikhuni Sibuya Nomkhwezele, translated as ‘Burning firewood is managed by the one manning the fire’ is triggered by problems emanating from the COVID-19 pandemic, addressing some of the socio-political ...
  • Mpako (Durban University of Technology - Art Gallery, Durban KZN, 2022-09-24)
    The exhibition “Izandla Ezihle Zabazalikazi” meaning “beautiful hands of motherhood” was activism for single parenting motherhood presented through actionism artistic discourse. It sought to present the argument that single ...
  • Miller, Gwenneth (2020)
    “The knot that cannot be untangled” (2020) developed from an end-of-life experience. Moving between the edges of known and unknown, I explored the folds in a hospital bed sheet, and the sense of returning to a universe of ...
  • Knowing 
    Orimolade, Odun (2021-10-09)
    This body of work titled “Knowing” explores trajectory of space and action as an intuitive development of reflection and reflexivity. It engages with internal reorientation for external navigation. The space, the work and ...
  • Mpako, Nombeko (Unisa Art Gallery, 2021-09-24)
    “Lamaphupha ithini kanti into yawo 2021” series, meaning what is the meaning of these dreams is composed of photographs from performances some manipulated to complete the context and narrative of “surrealism”. Included ...
  • Miller, Gwenneth; Miller, Gwenneth (2020)
    The work is developed from photographs of details of life-preserving equipment, such a s IV drips, monitors, electric wiring and tubes. Indian ink drawing overlays a collaged print of a laboratory from the archives of Dr ...
  • Matrix 
    Dreyer, Elfriede (Gallery at Glen Carlou; Pretoria Arts Association, 2021)
    In the Matrix series of works, the idea of an ‘other’ space is presented: Simulated, embodied and different to the experienced, physical real. The idea of a matrix is connected to simulation and illusion, and it is presented ...

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