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Browsing Unisa Creative Outputs by Type "Multimedia"

Browsing Unisa Creative Outputs by Type "Multimedia"

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  • Black tears and the sea 
    Miller, Gwenneth (2019)
    In the work “Black tears and the sea” (2019), a photograph of an unusually quiet sea on a hazy, grey day, was digitally overlaid with glass drops. The title recalls the idea of dark tears, a murky bodily fluid, as if quoting ...
  • The knot that cannot be untangled 
    Miller, Gwenneth (2020)
    “The knot that cannot be untangled” (2020) developed from an end-of-life experience. Moving between the edges of known and unknown, I explored the folds in a hospital bed sheet, and the sense of returning to a universe of ...
  • Knowing 
    Orimolade, Odun (2021-10-09)
    This body of work titled “Knowing” explores trajectory of space and action as an intuitive development of reflection and reflexivity. It engages with internal reorientation for external navigation. The space, the work and ...
  • Reservoir I, II and III 
    Miller, Gwenneth; Miller, Gwenneth (2020)
    These artworks are images of witnessing transient life and speak of our incredible ability of finding beauty in the moment, even during profound trauma. When completely at a loss for words, intense observation becomes a ...
  • The thread of all sorrows 
    Miller, Gwenneth (2020)
    “The thread of all sorrows” was compiled from digitally cropped details from various Renaissance paintings portraying lamentation. The concepts of this work and the ink drawing "Sorrow" recognise that the experience of ...
  • Under the Surface 
    Miller, Gwenneth; Miller, Gwenneth (RK Contemporary, White River and Unisa Art Gallery, 2022)
    The project “Under the surface” consisted of 22 new works in a range of media. The installations were interactions between specific ‘ecologies’ of people and places. I used three group exhibitions as an emergent method of ...

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