dc.contributor.advisor |
Haute, Bernadette van
|
|
dc.contributor.author |
Grundy, Susan Audrey
|
|
dc.date.accessioned |
2009-12-08T12:24:42Z |
|
dc.date.available |
2009-12-08T12:24:42Z |
|
dc.date.issued |
2004-06 |
|
dc.identifier.citation |
Grundy, Susan Audrey (2004) Artemisia Gentileschi and Caravaggio's looking glass, University of South Africa, Pretoria, <http://hdl.handle.net/10500/2987> |
en |
dc.identifier.uri |
http://hdl.handle.net/10500/2987 |
|
dc.description.abstract |
Artemisia Gentileschi and Caravaggio's Looking Glass is an ironic allusion to both the
concave mirror and the biconvex lens. It was these simple objects, in colloquial terms a
shaving mirror and a magnifying glass, which Artemisia Gentileschi and her father
Orazio, learned from Caravaggio how to use to enhance the natural phenomenon of the
camera obscura effect. Painting from a projection meant that Artemisia could achieve
an extreme form of realism and detail in her work. This knowledge, which was of
necessity kept hidden, spooked the Inquisition and also gave artists, who knew how to
manipulate the technology, an extreme competitive edge over their rivals. This
dissertation challenges the naive assumptions that have been made about Artemisia's
working practices, effectively ignoring the strong causal links between art and science
in Seicento Italian painting. Introducing the use of optical aids by Artemisia opens up
her story to a whole new generation of scholarship. |
en |
dc.format.extent |
1 online resource (129 leaves) |
|
dc.language.iso |
en |
en |
dc.subject |
Gentileschi |
en |
dc.subject |
Artemesia |
en |
dc.subject |
Orazio |
en |
dc.subject |
Caravaggio (Michelangelo Merisi) |
en |
dc.subject |
Camera obscura technology |
en |
dc.subject |
Inguisition |
en |
dc.subject |
Painting techniques and practice |
en |
dc.subject |
Baroque |
en |
dc.subject |
Seicento |
en |
dc.subject |
Italian painting |
|
dc.subject |
Painting and optics |
|
dc.subject |
David Hockney |
|
dc.subject |
Women's painting and feminist art history |
|
dc.subject.ddc |
759.5 |
|
dc.subject.lcsh |
Gentileschi, Artemisia, ca. 1597-ca. 1651 -- Criticism and interpretation |
|
dc.subject.lcsh |
Gentileschi, Orazio, 1563-1638? -- Criticism and interpretation |
|
dc.subject.lcsh |
Caravaggio, Michelangelo Merisi da, 1573-1610 -- Criticism and interpretation |
|
dc.subject.lcsh |
Hockney, David -- Criticism and interpretation |
|
dc.subject.lcsh |
Painting -- Technique |
|
dc.subject.lcsh |
Camera obscuras |
|
dc.subject.lcsh |
Optics and art |
|
dc.subject.lcsh |
Painting, Italian |
|
dc.title |
Artemisia Gentileschi and Caravaggio's looking glass |
en |
dc.type |
Dissertation |
en |
dc.description.department |
Art History |
|
dc.description.degree |
M.A. (Art history) |
|