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The status of indigenous music in the South African school curriculum with special reference to isiZulu

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dc.contributor.advisor Mafela, M. J.
dc.contributor.advisor Ntuli, C. D. (Cynthia Danisile), 1959-
dc.contributor.author Mkhombo, S. M. (Sibongile Margaret)
dc.date.accessioned 2019-10-29T13:12:31Z
dc.date.available 2019-10-29T13:12:31Z
dc.date.issued 2019-02
dc.identifier.uri http://hdl.handle.net/10500/25896
dc.description Text in English en
dc.description.abstract The research raises concern for the practical and theoretical problems confronting pre-primary to secondary schools regarding the implementation of indigenous African music in the present curriculum. This research investigates the status of indigenous African music in the South African school’s curriculum for the purposes of its inclusion with special reference to isiZulu. The study utilised qualitative interview, observation method and existing documents for the collection of data. Participants were asked to highlight the importance of including indigenous African music in the present curriculum as a core subject, and secondly, what can be done to promote indigenous African music to South African communities? This study records the importance of isiZulu belief systems, customs and performance tradition. It looks at indigenous isiZulu music both past and present, what it offers to the community of South Africans. The research reveals that isiZulu music can be used to recall enjoyable commemorations, express peace, and happiness and motivates team spirit as it can organise activities geared towards community development if included in the school curriculum. It also nurtures social integration, which can enhance understanding in learning. Some songs are composed to instil socio-cultural values in establishing social relationships amongst the individuals and societies, also consolidate social bonds and create patriotic feelings. Music also contributes to the child’s development and psychological abilities. The study further revealed that the battle for the soul of African Languages is not yet over. Rather than the languages becoming increasingly appreciated and embraced by the owners, there is evidently a decline (Salawu, 2001). This worrisome decline is marked by the advancement of technology and craves modernity; they see everything (culture, indigenous African music and language) as primitive. It is apparent that the originality and excellence in African culture and languages are quickly vanishing, as there remains only a small indication of that genuine tradition. The study therefore, helps Black South Africans generally to relate to their folk-lore and to maintain their cultural principles, values and rebuild their sense of national identity and will also work to broaden the curriculum in schools from Foundation Phase to the FET Phase. en
dc.format.extent 1 online resource (xiv, 244 leaves) : illustrations (some color)
dc.language.iso en en
dc.subject Curriculum en
dc.subject Culture en
dc.subject Decolonisation en
dc.subject Folklore en
dc.subject IsiZulu contemporary songs en
dc.subject IsiZulu folksongs en
dc.subject IsiZulu traditional songs en
dc.subject Music en
dc.subject Songs en
dc.subject.ddc 372.870430968
dc.subject.lcsh Blacks -- South Africa -- Music
dc.subject.lcsh Zulu (African people) -- Music -- Instruction and study -- South Africa
dc.subject.lcsh Ethnomusicology -- Instruction and study -- South Africa
dc.subject.lcsh School music -- Instruction and study -- South Africa
dc.subject.lcsh Multicultural education -- South Africa
dc.subject.lcsh Curriculum planning -- South Africa
dc.subject.lcsh Folk songs, Zulu -- Instruction and study -- South Africa
dc.subject.lcsh Folk music -- South Africa -- Curricula
dc.title The status of indigenous music in the South African school curriculum with special reference to isiZulu en
dc.type Thesis en
dc.description.department Linguistics and Modern Languages en
dc.description.degree D. Phil. (Languages, Linguistics and Literature)


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