Institutional Repository

A study of D B Z Ntuli's radio trilogy : Isivumelwano, Isivumelwano Esisha and Ngenxa Yesivumelwano

Show simple item record

dc.contributor.advisor Saule, N.
dc.contributor.author Maphumulo, A. M.
dc.date.accessioned 2015-01-23T04:25:02Z
dc.date.available 2015-01-23T04:25:02Z
dc.date.issued 2001-06
dc.identifier.citation Maphumulo, A. M. (2001) A study of D B Z Ntuli's radio trilogy : Isivumelwano, Isivumelwano Esisha and Ngenxa Yesivumelwano, University of South Africa, Pretoria, <http://hdl.handle.net/10500/18120> en
dc.identifier.uri http://hdl.handle.net/10500/18120
dc.description.abstract This is a study ofD.RZ. Ntuli's radio trilogy: Isivumelwano, IsivumelwanoEsisha and Ngenxa Yesivumelwano. Since the term trilogy is not a familiar concept in Zulu literary studies, this is an attempt to fill that void. This thesis provides some new insight into this concept, while also devising a practical method for the analysis of the radio trilogy. Chapter one outlines the aim of the study, scope of the study and the definition of some terms. This is followed by explaining the method of research and theories on radio serial dramas. There is also a discussion of the historical background in the development of Zulu radio serial drama and Ntuli's position and contribution to it. Finally, there is a review of previous research studies in Aincan Languages on radio drama. In chapter two plot structure of a radio trilogy is discussed. Theories of drama trilogy by trilogists like Hitchcock, Bakhtin, Asimov and Norris are discussed in detail. This is followed by an in-depth analysis of the plot structures of Isivumelwano, Jsivumelwano Esisha and Ngenxa Yesivumelwano. Chapter three deals with the characterization of radio trilogy. It distinguishes between the actors and characters. Different methods of character portrayal are investigated. Chapter four deals with perspectives on the theme of the radio trilogy. Types of themes are dealt with. Chapter five discusses the dialogue in radio trilogy. It deals with the differences between a dialogue, duologue and monologue, and explains the functions fulfilled by dramatic utterances and dialogue. Lastly a nature of dialogue as a characteristic of the dramatic action is discussed. Chapter six concentrates on the style of radio trilogy. Elements and different types of styles are discussed. Kinds of images, figurative language, proverbs, idioms, biblical allusions and various influences are discussed in detail. Chapter seven concludes by summarizing the main finding ofthis study, and giving observations about the quality ofNtuli's contribution to radio drama trilogy. lt also explores some possibilities regarding future studies on Ntuli's radio trilogy. en
dc.format.extent 1 online resource (xv, 350 leaves) : illustrations
dc.language.iso en
dc.subject Structuralism en
dc.subject Semiotics en
dc.subject Reader response en
dc.subject Reception theory en
dc.subject Didascalia en
dc.subject Intertextuality en
dc.subject Trilogy en
dc.subject Radio drama en
dc.subject Plot structure en
dc.subject Characterization en
dc.subject Dialogue en
dc.subject Style en
dc.subject Cliffhanger en
dc.subject Flashback en
dc.subject Metaphor and metonymy en
dc.subject Dramatis personae en
dc.subject Foils en
dc.subject Interlarding en
dc.subject.ddc 896.3986209
dc.subject.lcsh Zulu drama en
dc.subject.lcsh Radio plays en
dc.title A study of D B Z Ntuli's radio trilogy : Isivumelwano, Isivumelwano Esisha and Ngenxa Yesivumelwano en
dc.type Thesis
dc.description.department African Languages
dc.description.degree D. Lit. et Phil. (African Languages)


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search UnisaIR


Browse

My Account

Statistics