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Towards the African theory of literary production : perspectives on the Sosotho novel

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dc.contributor.advisor Swanepoel, C. F.
dc.contributor.author Selepe, Thapelo, 1956-
dc.date.accessioned 2015-01-23T04:24:13Z
dc.date.available 2015-01-23T04:24:13Z
dc.date.issued 1999-06
dc.identifier.citation Selepe, Thapelo, 1956- (1999) Towards the African theory of literary production : perspectives on the Sosotho novel, University of South Africa, Pretoria, <http://hdl.handle.net/10500/17709> en
dc.identifier.uri http://hdl.handle.net/10500/17709
dc.description.abstract Critical studies and creative works in the Sesotho novel have made some of the important contributions in Sesotho literary history in particular, and African literary history in general. However, such contribution has been dictated by a particular history and an ideology. The world-view in literary practice that emerged from that history is the one that tends to divorce literature, literary study and language from society. Consequently, this study identifies this practice as a problem that needs to be addressed. This study argues from this perspective that literature, literary study and language should be re-established as integral parts in a manner that pedagogical practice would translate into positive social practices. To realise this ideal the study approaches the study of the Sesotho novel from the perspective of literary production. The theory of literary production insists that literature is a form of social production. This argument becomes even more pertinent to the study of the novel, which is viewed as having profound elements of realism that mirror society. A consideration of the Sesotho novel as a form of literary production that is linked to other forms of social production immediately leads to the question of the development of the Sesotho novel. The possibilities that are identified include external influence and internal evolution in the development of the Sesotho novel. These possibilities also have a bearing on the study of the Sesotho novel in particular and the study of the African novel in general. In order to pursue the argument to its logical conclusion, the development of the Sesotho novel is divided into three periods: 1900-1930; 1930-1960 and the 1960s- 1990s. Each of these periods demonstrates a particular ideological leaning that is akin to the material conditions of each period. Taking this trend as a pattern in the development of the Sesotho novel, this study advocates an approach that links literature and literary studies to society. en
dc.format.extent 1 online resource (vii, 298 leaves)
dc.language.iso en
dc.subject Sesotho novel en
dc.subject African literature en
dc.subject Epic en
dc.subject Folklore en
dc.subject Literary production en
dc.subject Mode of production en
dc.subject Language en
dc.subject Social development en
dc.subject Audience en
dc.subject Pedagogical practice en
dc.subject.ddc 896.39772309
dc.subject.lcsh Sotho fiction -- History and criticism en
dc.title Towards the African theory of literary production : perspectives on the Sosotho novel en
dc.type Thesis
dc.description.department African Languages
dc.description.degree D.Litt. et Phil. (African Languages)


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