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'n Waardebepaling van die nie-amptelike, informele kerklied soos gesing in die erediens in gemeentes van die Nederduitse Gereformeerde Kerk in die PWV

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dc.contributor.advisor Geldenhuys, D. G.
dc.contributor.author Papenfus, Anna Francina en
dc.date.accessioned 2015-01-23T04:24:04Z
dc.date.available 2015-01-23T04:24:04Z
dc.date.issued 1994-11 en
dc.identifier.citation Papenfus, Anna Francina (1994) 'n Waardebepaling van die nie-amptelike, informele kerklied soos gesing in die erediens in gemeentes van die Nederduitse Gereformeerde Kerk in die PWV, University of South Africa, Pretoria, <http://hdl.handle.net/10500/15739> en
dc.identifier.uri http://hdl.handle.net/10500/15739
dc.description.abstract This dissertation falls in line with work produced during the past fifteen years or so, aimed at improving our appreciation of late medieval/early Tudor English Drama. The approach is based especially on looking at the rapport likely to be achieved between audience and players (and via the players, with the playwrights), in actual performance. Attention is given to the permanent modes of human thought, that are unaffected by the ephemeralities of a particular period; attention is therefore drawn to the traps that may mislead the unwary twentieth-century critic, and some new insights are offered into the purposes of the playwrights. Several cycle plays are treated, together with two of the moralities and two interludes. The point is made that these playwrights showed a considerable mastery of the possibilities inherent in drama, as is demonstrated by the provision for achieving rapport with the audience af
dc.description.abstract The reformed churches have theological and musicological criteria for their hymns, which, however, are not always unambiguous. After the introduction of the Jeugsangbundel (1984) an informal song, with informal accompaniment, entered the worship and forms a prominent part of the singing in Dutch Reformed Churches today. Some congregations compile their own volumes of songs. This study set out to identify these congregations by means of a questionnaire and evaluate the songs. Other relevant information was also required from congregations. 21 % of the respondent congregations sing unapproved songs. They have a larger percentage of young people than those singing official songs. Congregations prefer a balance of formal and informal hymns and both are sung with equal enthusiasm. The melody is the strongest characteristic of the informal song and edification the strongest of the formal hymn. The evaluation, however, shows that a considerable number of songs do not meet the required standard en
dc.format.extent 1 online resource (viii, 231 leaves) en
dc.language.iso en en
dc.subject The worship en
dc.subject Reformed spirituality en
dc.subject Ecumenical influence en
dc.subject Theological standards en
dc.subject Musicological standards en
dc.subject Secularisation of church songs en
dc.subject Gospel music en
dc.subject South African church music en
dc.subject Informal church songs en
dc.subject Formal church songs en
dc.subject Evaluation of unofficial church songs en
dc.subject.ddc 783.9096822 en
dc.subject.lcsh Hymns, Afrikaans -- History and criticism en
dc.subject.lcsh Gospel music en
dc.subject.lcsh Church music -- South Africa -- Protestant churches en
dc.subject.lcsh Church music -- Dutch Reformed Church en
dc.subject.lcsh Reformed spirituality en
dc.subject.lcsh Ecumenical influence en
dc.subject.lcsh Theological standards en
dc.subject.lcsh Musicological standards en
dc.subject.lcsh Secularisation of church songs en
dc.subject.lcsh Informal church songs en
dc.subject.lcsh Formal church songs en
dc.subject.lcsh Evaluation of unofficial church songs en
dc.title 'n Waardebepaling van die nie-amptelike, informele kerklied soos gesing in die erediens in gemeentes van die Nederduitse Gereformeerde Kerk in die PWV en
dc.title.alternative An evaluation of the unofficial, informal song as sung during worship by congregations of the Dutch Reformed Church in the PWV en
dc.type Dissertation en
dc.description.department Art History, Visual Arts and Musicology en
dc.description.degree M.A. (Musicology) en


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