Identity, discrimination and violence in Bessie Head's trilogy

Abstract

This dissertation seeks to explore the perceived intricate relationship that exists between constructed identity, discrimination and violence as portrayed in Bessie Head's trilogy from varying perspectives, including aspects of postcoloniality, materialist feminism and liminality.

Starting with a background to some of the origins of racial hybridity in Southern Africa, it looks at how racial identity has subsequently influenced the course of Southern African history and thereafter explores historical and biographical information deemed relevant to an understanding of the dissertation.

Critical explorations of each text in the trilogy follow, in which the apparent affinities that exist between identity, discrimination and violence are analysed and displayed. In conclusion the trilogy is discussed from a largely sociological perspective of hope in a utopian society.