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A qualitative textual and comparative analysis of the representation of masculinity in the action and romantic comedy genres

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dc.contributor.advisor Reid, Julie Barbara Jane
dc.contributor.advisor Cilliers, Christo
dc.contributor.author Pascoe, Gerald James
dc.date.accessioned 2013-04-19T12:08:47Z
dc.date.available 2013-04-19T12:08:47Z
dc.date.issued 2013-04-19
dc.identifier.citation Pascoe, Gerald James (2013) A qualitative textual and comparative analysis of the representation of masculinity in the action and romantic comedy genres, University of South Africa, Pretoria, <http://hdl.handle.net/10500/9027> en
dc.identifier.uri http://hdl.handle.net/10500/9027
dc.description.abstract This study is an exploration of the representation of masculinity in film, with particular focus on the way in which the leading male characters in a purposive sample of action genre and romantic comedy genre films represent masculinity. It is posited that masculinity is a construct, the meaning of which is dependent on the social context of the individual. Film being a social artefact could then possibly influence individuals understanding of the construct. Therefore an exploration of the kind of masculinity, the variations thereof across genres, and masculine characteristics of masculinity prevalent in each genre, is a first step in understanding possible influences of the definition of masculinity. In order to accomplish this exploration, a combination of methods is used to analyse these fictional characters according to a set of codes and „real‟ world norms. The real world norms are based on seven theoretically derived norms of masculinity developed from previous research on masculinity conducted by Levant, Hirsch, Celentano, Cozza, Hill, MacEachern, Marty and Schnedekerl (1992). The results of the findings from this study indicate that the way in which male characters are created for each genre are different, with male lead characters from the action genre having more characteristics that align with the „real‟ world norms of masculinity (Levant et al 1992). Alternatively, the male lead characters from the romantic comedy genre, have fewer characteristics that align with the seven theoretically derived norms of masculinity. The masculinity represented in the romantic comedy genre is more emotionally available and expressive, less aggressive, more compromising and reliant on others; while in the action genre masculinity is more independent, stoic, aggressive and more physically adventurous. The male lead characters in the romantic comedy genre are more about the emotional aspects of masculinity while the male lead characters in the action genre are more about the physical aspects of masculinity. en
dc.format.extent 1 online resource (iv, 174 leaves)
dc.language.iso en en
dc.subject Masculinity en
dc.subject Gender en
dc.subject Film en
dc.subject Genre en
dc.subject Directed qualitative content analysis en
dc.subject Three-stage coding process en
dc.subject Social construction of reality en
dc.subject Symbolic interactionism en
dc.subject.ddc 791.430811
dc.subject.lcsh Masculinity en
dc.subject.lcsh Masculinity in mass media en
dc.subject.lcsh Masculinity in motion pictures en
dc.subject.lcsh Romantic comedy films en
dc.subject.lcsh Action and adventure films en
dc.subject.lcsh Men in motion pictures en
dc.subject.lcsh Social constructionism en
dc.subject.lcsh Symbolic interactionism en
dc.subject.lcsh Men -- Identity en
dc.title A qualitative textual and comparative analysis of the representation of masculinity in the action and romantic comedy genres en
dc.type Dissertation en
dc.description.department Communication Science
dc.description.degree M.A. (Communication)


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