dc.contributor.advisor |
Scheffler Eben
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dc.contributor.author |
Van der Zwan, Pieter
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dc.date.accessioned |
2013-02-13T04:42:39Z |
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dc.date.available |
2013-02-13T04:42:39Z |
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dc.date.issued |
2012-03 |
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dc.identifier.citation |
Van der Zwan, Pieter (2012) The religiosity of the book of Song of Songs in context, University of South Africa, Pretoria, <http://hdl.handle.net/10500/8637> |
en |
dc.identifier.uri |
http://hdl.handle.net/10500/8637 |
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dc.description.abstract |
Despite its chequered interpretational history, the book of Shîr ha-Shîrîm (Song of Songs) in the Hebrew Bible and Christian Old Testament has still not come to its fullest religious potential. The reason is that it has mainly served relatively closed religious traditions defined by the exclusion of those that have reacted against it. As the text of Song of Songs itself does not explicitly testify to any religiosity, these communities have understood it religiously by projecting their own predetermined needs and beliefs onto it. The text does, however, suggest several layers in the history of its formation, representing different levels of consciousness and stages of religiosity. In the postmodern globalising context where the importance of interfaith understanding is increasingly realised and the nature of human religiosity is constantly redefined in terms of ever-broadening horizons, the religiosity of the book has been stretched as wide as possible by also taking into consideration the ancient contextual influences which could have left their traces on the unconscious mind of its author(s) and redactor(s). To this end, the transpersonal psychological theory of Kenneth Wilber as interpreted by Michael Washburn has been used. Wilber’s inclusive view of religiosity respects all its forms as developmentally appropriate expressions of experiences of the divine which should all be taken seriously. The explicit “absence” of the divine in Song of Songs has been so conspicuous that it has ironically made it more present and led to a greater search for the Ineffable whose whispering and footprints are discernible in relation to the level of consciousness. Exploring the religiosity of Song of Songs in this way then becomes an exercise in being more sensitive to the presence of the divine in all other areas of life as well. Traditional polarities such as sexuality and religiosity are dissolved at the same time and proven to coincide as two aspects of the same experience. Not only does erotic love open one’s eyes to the divine in nature as the body of God, but one also encounters the divine in the body. |
en |
dc.format.extent |
1 online resource (280 leaves) |
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dc.language.iso |
en |
en |
dc.rights |
University of South Africa |
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dc.subject |
Song of Songs |
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dc.subject |
Religiosity |
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dc.subject |
Sex and religion |
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dc.subject |
Transpersonal psychology |
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dc.subject |
Conssciousness |
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dc.subject |
Near East |
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dc.subject |
Hebrew Bible/Old Testament |
en |
dc.subject |
Postmodern philosophies |
en |
dc.subject |
Shîr ha-Shîrîm |
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dc.subject |
Erotic love |
en |
dc.subject.ddc |
223.906 |
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dc.subject.lcsh |
Bible -- O.T. -- Song of Solomon -- Criticism, interpretation, etc. |
en |
dc.subject.lcsh |
Sex -- Religious aspects |
en |
dc.subject.lcsh |
Bible -- Psychology |
en |
dc.subject.lcsh |
Erotic literature, Hebrew |
en |
dc.subject.lcsh |
Erotica -- Religious aspects |
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dc.title |
The religiosity of the book of Song of Songs in context |
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dc.type |
Thesis |
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dc.description.department |
Biblical and Ancient Studies |
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dc.description.degree |
D. Th. (Old Testament) |
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