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The religiosity of the book of Song of Songs in context

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dc.contributor.advisor Scheffler Eben
dc.contributor.author Van der Zwan, Pieter
dc.date.accessioned 2013-02-13T04:42:39Z
dc.date.available 2013-02-13T04:42:39Z
dc.date.issued 2012-03
dc.identifier.citation Van der Zwan, Pieter (2012) The religiosity of the book of Song of Songs in context, University of South Africa, Pretoria, <http://hdl.handle.net/10500/8637> en
dc.identifier.uri http://hdl.handle.net/10500/8637
dc.description.abstract Despite its chequered interpretational history, the book of Shîr ha-Shîrîm (Song of Songs) in the Hebrew Bible and Christian Old Testament has still not come to its fullest religious potential. The reason is that it has mainly served relatively closed religious traditions defined by the exclusion of those that have reacted against it. As the text of Song of Songs itself does not explicitly testify to any religiosity, these communities have understood it religiously by projecting their own predetermined needs and beliefs onto it. The text does, however, suggest several layers in the history of its formation, representing different levels of consciousness and stages of religiosity. In the postmodern globalising context where the importance of interfaith understanding is increasingly realised and the nature of human religiosity is constantly redefined in terms of ever-broadening horizons, the religiosity of the book has been stretched as wide as possible by also taking into consideration the ancient contextual influences which could have left their traces on the unconscious mind of its author(s) and redactor(s). To this end, the transpersonal psychological theory of Kenneth Wilber as interpreted by Michael Washburn has been used. Wilber’s inclusive view of religiosity respects all its forms as developmentally appropriate expressions of experiences of the divine which should all be taken seriously. The explicit “absence” of the divine in Song of Songs has been so conspicuous that it has ironically made it more present and led to a greater search for the Ineffable whose whispering and footprints are discernible in relation to the level of consciousness. Exploring the religiosity of Song of Songs in this way then becomes an exercise in being more sensitive to the presence of the divine in all other areas of life as well. Traditional polarities such as sexuality and religiosity are dissolved at the same time and proven to coincide as two aspects of the same experience. Not only does erotic love open one’s eyes to the divine in nature as the body of God, but one also encounters the divine in the body. en
dc.format.extent 1 online resource (280 leaves) en
dc.language.iso en en
dc.rights University of South Africa en
dc.subject Song of Songs en
dc.subject Religiosity en
dc.subject Sex and religion en
dc.subject Transpersonal psychology en
dc.subject Conssciousness en
dc.subject Near East en
dc.subject Hebrew Bible/Old Testament en
dc.subject Postmodern philosophies en
dc.subject Shîr ha-Shîrîm en
dc.subject Erotic love en
dc.subject.ddc 223.906
dc.subject.lcsh Bible -- O.T. -- Song of Solomon -- Criticism, interpretation, etc. en
dc.subject.lcsh Sex -- Religious aspects en
dc.subject.lcsh Bible -- Psychology en
dc.subject.lcsh Erotic literature, Hebrew en
dc.subject.lcsh Erotica -- Religious aspects en
dc.title The religiosity of the book of Song of Songs in context en
dc.type Thesis en
dc.description.department Biblical and Ancient Studies en
dc.description.degree D. Th. (Old Testament)


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