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Contesting narratives : constructions of the self and the nation in Zimbabwe polical auto/ Biography

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dc.contributor.advisor Vambe, Maurice Taonezvi
dc.contributor.author Javangwe, Tasiyana Dzikai
dc.date.accessioned 2011-09-23T09:16:29Z
dc.date.available 2011-09-23T09:16:29Z
dc.date.issued 2011-11
dc.identifier.citation Javangwe, Tasiyana Dzikai (2011) Contesting narratives : constructions of the self and the nation in Zimbabwe polical auto/ Biography, University of South Africa, Pretoria, <http://hdl.handle.net/10500/4838> en
dc.identifier.uri http://hdl.handle.net/10500/4838
dc.description.abstract This study is an interpretive analysis of Zimbabwean political auto/biographical narratives in contexts of changing culture, race, ethnicity and gender identity images of the self and nation. I used eclectic theories of postcolonialism to explore the fractured nature of both the processes of identity construction and narration, and the contradictions inherent in identity categories of nation and self. The problem of using autobiographical memory to recall the momentous events that formed the contradictory identities of self and nation in the creative imagination of the lives of Ian Smith, Maurice Nyagumbo, Abel Muzorewa, Joshua Nkomo, Doris Lessing, Fay Chung, Judith Garfield Todd, Tendai Westerhof and Lutanga Shaba have been highlighted. The study concluded that there are narrative and ideological disjunctures between experiencing life and narrating those experiences to create approximations of coherent identities of individual selves and those of the nation. The study argued that each of the stories analyzed in this study contributed a version of the multiple Zimbabwean narratives that no one story could ever tell without being contested by others. Thus the study explores how white Rhodesian auto/biographies depend on the imperial repertoire to construct varying, even contradicting, images of white identities and the Rhodesian nation, which are also contested by black nationalist life narratives. The narratives by women writers, both white and black, introduced further instabilities to the male authored narratives by moving beyond the conventional understanding of what is ‘political’ in political auto/biographies. The HIV and AIDS narratives by black women thrust into the public sphere personalized versions of self so that the political consequence of their inclusion was not only to image Zimbabwe as a diseased society, but one desperately in need of political solutions to confront the different pathologies inherited from colonialism and which also have continued in the post-independence period. en
dc.format.extent 1 online resource (308 leaves)
dc.language.iso en en
dc.subject Representation en
dc.subject Social constructionism en
dc.subject Imagined community en
dc.subject Marginality en
dc.subject Self identity en
dc.subject Political auto/biography en
dc.subject Nation en
dc.subject Autre-biography en
dc.subject Postcolonial en
dc.subject Subjectivity en
dc.subject Dis/eased identities en
dc.subject.ddc 809.8896891
dc.subject.lcsh Self in literature
dc.subject.lcsh Literature and society -- Zimbabwe
dc.subject.lcsh Zimbabwean literature -- History and criticism
dc.subject.lcsh Biography as a literary form
dc.subject.lcsh Biography in literature
dc.title Contesting narratives : constructions of the self and the nation in Zimbabwe polical auto/ Biography en
dc.type Thesis en
dc.description.department English Studies
dc.description.degree D. Litt. et Phil. (English)


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