Karen Devroop with the Johannesburg Philharmonic Orchestra 2022

Abstract

The saxophone, an instrument renowned for its expressive capabilities and versatility, has found a significant place within the traditional orchestra, marking a departure from the orchestral norms of the past. Furthermore, the saxophone's integration into jazz, both in collaboration with orchestras and within the framework of a jazz rhythm section, has contributed to its prominence and widespread recognition in contemporary music.

The saxophone's rich tonal range, ability to mimic the human voice, and adaptability to various musical genres make it an exceptional choice for a solo instrument in the orchestra. In the early 20th century, the saxophone gained prominence in jazz music, primarily due to its expressive capabilities and improvisational potential. This jazz influence subsequently spilled over into orchestral compositions, leading to the integration of the saxophone into the symphonic repertoire. Composers like Maurice Ravel, Dmitri Shostakovich, and George Gershwin began incorporating the saxophone as a solo instrument in their orchestral works, recognizing its unique voice and ability to infuse jazz-inspired elements.

Modern composers continue to embrace the saxophone as a solo instrument in orchestral settings. Contemporary compositions often feature saxophone concertos, allowing for virtuosic displays and captivating solos. The saxophone's seamless integration into the orchestra highlights its potential to interact with and complement other instruments, creating rich textures and evocative harmonies.

Another contemporary application of the saxophone lies in the fusion of jazz saxophone with a rhythm section within the context of an orchestra. This blending of genres creates a dynamic and vibrant musical experience, infusing traditional orchestral compositions with the energy and improvisation of jazz. The saxophone, accompanied by a jazz rhythm section, adds an exciting element of spontaneity and rhythmic complexity, resulting in captivating performances that appeal to a wide range of audiences.

The inclusion of the saxophone as a solo instrument in the orchestra signifies a departure from traditional orchestral norms, embracing the instrument's versatility and expressive capabilities. Through its integration into jazz music and collaboration with both orchestras and jazz rhythm sections, the saxophone has cemented its place as a prominent and indispensable voice in modern musical compositions.

It is against this backdrop that this creative output was conceived. The repertoire comprised works for saxophone and full orchestra as Astor Piazzolla’s to works for saxophone, rhythm section and full orchestra which included South African works including Abdullah Ibrahim’s The Wedding to a medley of Lakutshon iLanga, Pata Pata and Meadowlands, all well know South African jazz works. The South African works were specifically arranged for this type of setting by internationally recognised arranger Trino Jimenez.

The goal was to present these well know South African works in a new and innovative way, specifically with full orchestra and jazz rhythm section. This is a concept that was not done previously in South Africa. In the past jazz rhythm sections were complimented with strings but never full orchestra with jazz rhythm section. The works were arranged to create a Broadway style sound but with South African compositions. The Astor Piazzolla work was also presented in a new and unique way in the that it was arranged for saxophonist soloist with full orchestra that provided room for jazz style and jazz improvisation of the work. Hence the focus on presenting the work in a new and innovative way. All works contained section for original jazz improvisation by the saxophonist, which is rare in a full orchestra setting.

The concert was performed to a full audience at the Linder Auditorium. The Johannesburg Philharmonic Orchestra has a reputation for being one the premier orchestras in South Africa. Prior to the concert, 2 full orchestra rehearsals were held in order to work through the works.