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A critical evaluation of the poetry of E.P. Ndhambi and W.Z. Nkondo

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dc.contributor.advisor Marivate, C. T. D. (Cornelius Tennyson Daniel)
dc.contributor.author Nkuzana, K. J.
dc.date.accessioned 2021-09-09T05:16:42Z
dc.date.available 2021-09-09T05:16:42Z
dc.date.issued 1988-11
dc.identifier.uri https://hdl.handle.net/10500/27942
dc.description.abstract This is a comparison of Ndhambi's and Nkondo's poetry. Ndhambi who appeared in the literary scene much earlier than Nkondo, wrote poetry of a traditional style, whilst Nkondo adopted the style of modern poets. Ndhambi and Nkondo make use of the general poetic devices such as rhythm, rhyme, repetition, parallelism, refrain, stanza, tone, imagery, symbolism and personification. Both Ndhambi and Nkondo write poetry that abounds in both direct and indirect satire. Ndhambi's and Nkondo's styles differ. Ndhambi's poetry uses the praise poem style whereby natural objects are praised. He also uses personification, which is prevalent in traditional poetry. Nkondo, on the other hand, is subjective and philosophical in style. This is characteristic of most modern poets in Tsonga. Various themes emerge in the poetry of these two poets. Ndhambi shuns themes dealing with death, whereas Nkondo has written three poems on death. Both poets have many poems on nature. en
dc.format.extent 1 online resource (iv, 153 leaves)
dc.language.iso en en
dc.subject South African indigenous content en
dc.subject African languages
dc.subject.ddc 896.397811
dc.subject.lcsh Ndhambi, E. P. (Etienne Penyisi), 1912-1986 -- Criticism and interpretation en
dc.subject.lcsh Nkondo, W. Z. (Winston Zinjiva), 1943- -- Criticism and interpretation en
dc.subject.lcsh Tsonga poetry -- History and criticism en
dc.title A critical evaluation of the poetry of E.P. Ndhambi and W.Z. Nkondo en
dc.type Dissertation en
dc.description.department African Languages en
dc.description.degree M.A. (African Languages)


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