dc.contributor.advisor |
Marivate, C. T. D. (Cornelius Tennyson Daniel) |
|
dc.contributor.author |
Nkuzana, K. J.
|
|
dc.date.accessioned |
2021-09-09T05:16:42Z |
|
dc.date.available |
2021-09-09T05:16:42Z |
|
dc.date.issued |
1988-11 |
|
dc.identifier.uri |
https://hdl.handle.net/10500/27942 |
|
dc.description.abstract |
This is a comparison of Ndhambi's and Nkondo's poetry. Ndhambi who
appeared in the literary scene much earlier than Nkondo, wrote poetry
of a traditional style, whilst Nkondo adopted the style of modern
poets. Ndhambi and Nkondo make use of the general poetic devices such
as rhythm, rhyme, repetition, parallelism, refrain, stanza, tone,
imagery, symbolism and personification. Both Ndhambi and Nkondo write
poetry that abounds in both direct and indirect satire. Ndhambi's and
Nkondo's styles differ. Ndhambi's poetry uses the praise poem style
whereby natural objects are praised. He also uses personification,
which is prevalent in traditional poetry. Nkondo, on the other hand,
is subjective and philosophical in style. This is characteristic of
most modern poets in Tsonga. Various themes emerge in the poetry of
these two poets. Ndhambi shuns themes dealing with death, whereas
Nkondo has written three poems on death. Both poets have many poems on
nature. |
en |
dc.format.extent |
1 online resource (iv, 153 leaves) |
|
dc.language.iso |
en |
en |
dc.subject |
South African indigenous content |
en |
dc.subject |
African languages |
|
dc.subject.ddc |
896.397811 |
|
dc.subject.lcsh |
Ndhambi, E. P. (Etienne Penyisi), 1912-1986 -- Criticism and interpretation |
en |
dc.subject.lcsh |
Nkondo, W. Z. (Winston Zinjiva), 1943- -- Criticism and interpretation |
en |
dc.subject.lcsh |
Tsonga poetry -- History and criticism |
en |
dc.title |
A critical evaluation of the poetry of E.P. Ndhambi and W.Z. Nkondo |
en |
dc.type |
Dissertation |
en |
dc.description.department |
African Languages |
en |
dc.description.degree |
M.A. (African Languages) |
|