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The maieutic art of Paul Rosenfeld : music criticism and American sulcture, 1916-1946

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dc.contributor.advisor Cuthbertson, Gregor
dc.contributor.advisor Berry, Chris
dc.contributor.author Aquila, Dominic, Anthony
dc.date.accessioned 2015-01-23T04:24:34Z
dc.date.available 2015-01-23T04:24:34Z
dc.date.issued 2001-06
dc.identifier.citation Aquila, Dominic, Anthony (2001) The maieutic art of Paul Rosenfeld : music criticism and American sulcture, 1916-1946, University of South Africa, Pretoria, <http://hdl.handle.net/10500/17914> en
dc.identifier.uri http://hdl.handle.net/10500/17914
dc.description.abstract Paul L. Rosenfeld ( 1890-1946) almost single-handedly established the music of living American composers on a solid critical foundation in the period between the two world wars. Although he built a reputation chiefly as a critic of music, he was a man ofletters who ranged across all the arts with unrivaled competence and ease. Rosenfeld's contemporaries acknowledged him as a champion of that strain of modernism which celebrated the interrelatedness of the arts. His importance for the wider culture of early twentieth-century American modernism also lay in his seriousness about the arts. Rosenfeld earned forward the American democratic and romantic belief, epitomized by Walt Whitman and Alfred Stieglitz, in the capacity of art to articulate basic values that enrich and even ennoble the human person. Such an idealistic conception of the value of art was increasingly losing favor among the American literati during the 1920s, the period when Rosenfeld enjoyed his greatest influence and prestige. During this decade of"terrible honesty," American intellectuals tended to dismiss the "ideals of men" in favor of a single-minded interest in a more bitter realism. Inasmuch as they denigrated the notion that art held any kind of privileged status as a conveyor of values, they were in effect nascent postmodemists. This study ofPaul Rosenfeld's life and work examines the achievements ofPaul Rosenfeld as a critic of the arts in their relation to the wider American culture of the interwar years, and as a purveyor of modernism against the background of the first strains of postmodemism. It will also treat at length Rosenfeld's efforts as a writer, editor, and minor philanthropist on behalf of establishing a distinctively American music, literature, and painting. This cultural nationalism, I argue, is best understood as part ofRosenfeld's modernist project. To a lesser degree this thesis also deals with the changing position of the man of letters in American life. en
dc.format.extent 1 online resource (460 leaves)
dc.language.iso en
dc.subject Paul L. Rosenfeld en
dc.subject American music criticism en
dc.subject American cultural history en
dc.subject American music en
dc.subject Modernism en
dc.subject Cultural nationalism en
dc.subject American arts and letters en
dc.subject American literary criticism en
dc.subject Young Americans
dc.subject American art criticism en
dc.subject.ddc 780.92 en
dc.subject.lcsh Rosenfeld, Paul, 1890-1946 en
dc.subject.lcsh Music -- United States -- History and criticism en
dc.subject.lcsh Music -- Social aspects en
dc.subject.lcsh Arts -- United States -- History en
dc.title The maieutic art of Paul Rosenfeld : music criticism and American sulcture, 1916-1946 en
dc.type Thesis
dc.description.department History
dc.description.degree D. Litt et Phil. (History)


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