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Ideology and form in South African autobiographical writing : a study of the autobiographies of five South Africa authors

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dc.contributor.advisor Ryan, Pamela Dale
dc.contributor.author Ngwenya, Thengamehlo Harold
dc.date.accessioned 2015-01-23T04:23:59Z
dc.date.available 2015-01-23T04:23:59Z
dc.date.issued 1996-11
dc.identifier.citation Ngwenya, Thengamehlo Harold (1996) Ideology and form in South African autobiographical writing : a study of the autobiographies of five South Africa authors, University of South Africa, Pretoria, <http://hdl.handle.net/10500/17577> en
dc.identifier.uri http://hdl.handle.net/10500/17577
dc.description.abstract Relying on Lucien Goldmann's theory of genetic structuralism, this study examines the relationship between ideology (world vision) and the autobiographical form in South African writing. The five autobiographers selected for discussion represent different social groups in the South African social formation. The central argument of this thesis is that there is a relationship between autobiographical self-portraiture and the collective interests, values and attitudes of particular social groups in South Africa. Therefore, most South African autobiographies are more concerned with the articulation of collective consciousness than with the celebration of individual talents and achievements. Chapter 1 on Peter Abrahams explores the values underpinning the ideology of liberal humanism and their influence on the process of self-representation within the mode of autobiography. The second chapter examines the apparently contradictory conceptions of self-identity in Bloke Modisane's autobiography. Chapter three focuses on the conflict between Naboth Mokgatle's ethnic loyalty to the Bafokeng tribe and his newly acquired radical working class consciousness. The fourth chapter examines the liberal-Christian ideology in Alan Paton's two volumes of autobiography. The fifth and final chapter explores counter hegemonic modes of self-definition in Sindiwe Magona's two-volumed autobiography. In all the five chapters there is an attempt to link the authors' self-presentation to specific social classes or groups. The thesis argues for a literary-sociological approach to the analysis of autobiography and seeks to challenge the deconstructive theoretical perspectives on autobiography which, by rejecting the validity of humanist assumptions regarding human subjectivity, deny any possibility of meaningful socio-political action. en
dc.format.extent 1 online resource (v, 290 leaves)
dc.language.iso en
dc.subject.ddc 820.9492
dc.subject.lcsh Autobiography en
dc.subject.lcsh South African literature (English) -- 20th century -- History and criticism en
dc.subject.lcsh Politics and literature en
dc.subject.lcsh Ideology in literature en
dc.subject.lcsh Authors en
dc.title Ideology and form in South African autobiographical writing : a study of the autobiographies of five South Africa authors en
dc.type Thesis
dc.description.department English Studies
dc.description.degree D.Litt. et Phil. (English)


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