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Revelation's hymns : commentary on the cosmic conflict

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dc.contributor.advisor Van der Merwe, Dirk
dc.contributor.author Grabiner, Steven Charles
dc.date.accessioned 2013-09-23T07:26:57Z
dc.date.available 2013-09-23T07:26:57Z
dc.date.issued 2013-02
dc.identifier.citation Grabiner, Steven Charles (2013) Revelation's hymns : commentary on the cosmic conflict, University of South Africa, Pretoria, <http://hdl.handle.net/10500/10557> en
dc.identifier.uri http://hdl.handle.net/10500/10557
dc.description.abstract Topic This study examines the hymnic pericopes found at Revelation 4.8-11; 5.9-14; 7.10- 12; 11.15-18; 12.10-12; 15.3,4 and 19.1-8 in light of the cosmic conflict theme. It considers that this theme is a major contributor to the development of Revelation’s plot, and thus the hymnic sections are informed by, and inform the understanding of the controversy. Purpose Recognizing that the majority of critical studies give interpretative primacy to the social and political realities that existed in the Roman Empire at the time of Revelation’s composition, there is need for an examination of the storyline from the perspective of issues that are clearly of narratival importance. This study argues that the cosmic conflict is at the center of the book’s concerns, and attempts to determine the function of the hymns in relation to the ongoing controversy. Previous examinations of the hymnic sections have either considered them to be a response and/or parody to Roman liturgy, examples of God’s unquestioned sovereignty, or expressions of thematic overtones found throughout the book. While all these approaches make a contribution to a greater understanding of the hymns, the relation of the hymns to the ever-present conflict theme has not been explored. This study allows the hymnic sections to engage with the larger narrative issue as to who is truly the rightful sovereign of the universe. Conclusion This study found that a close examination of the text confirms that the cosmic conflict is the major motif in the narrative, and that it does not simply serve as a metaphor for political realities. It also concluded that the temple/throne room imagery found throughout the storyline, should have a controlling influence upon interpretation. This setting provides the backdrop for understanding the origins and issues of the controversy. Another conclusion of the study is that the only way for the controversy to be resolved is for God to reveal Himself in such a manner that the truth about Him is manifest. Finally, it was seen that the hymns do provide commentary on the conflict, by acclaiming God’s goodness and right to rule, despite the undertones of Satan’s accusations. en
dc.format.extent 1 online resource (x, 351 p.)
dc.language.iso en en
dc.rights University of South Africa
dc.subject Cosmic conflict en
dc.subject Theodicy en
dc.subject Lamb en
dc.subject Throne en
dc.subject Hymns en
dc.subject Dragon en
dc.subject Satan en
dc.subject Michael en
dc.subject Christ en
dc.subject Narrative critical en
dc.subject Victory en
dc.subject War in heaven en
dc.subject.ddc 228.066
dc.subject.lcsh Bible. Revelation -- Criticism, Narrative en
dc.subject.lcsh Combat in the Bible en
dc.subject.lcsh Theodicy -- Biblical teaching en
dc.title Revelation's hymns : commentary on the cosmic conflict en
dc.type Thesis en
dc.description.department New Testament en
dc.description.degree D. Th. (New Testament)


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