Cross-cultural representation and influences in ballets by Darius Milhaud and Paul Hindemith

Abstract

In this article I will be dealing with the ballet output of two composers, the Frenchman, Darius Milhaud, and the German, Paul Hindemith, concentrating on one representative work of each, namely La CreÂation du Monde and Noblissima Visione. Both ballets have external influences from other cultures, which will be highlighted, especially regarding their jazz roots deriving from the African continent via the New World in the work of Milhaud. Finally, some focus will be directed on radical stylistic changes which took place in the ballet production of both composers after their emigration to the United States of America.