dc.contributor.author |
Van Haute, Bernadette
|
|
dc.date.accessioned |
2012-10-26T10:25:34Z |
|
dc.date.available |
2012-10-26T10:25:34Z |
|
dc.date.issued |
2008 |
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dc.identifier.citation |
Van Haute, Bernadette (2008) Willem Bartsius and the art of Dutch history painting. Oud Holland - Quarterly for Dutch Art History, Volume 121, Issue 4, pages 215 – 244DOI: 10.1163/187501708788426693 |
en |
dc.identifier.issn |
1875-0176 |
|
dc.identifier.uri |
http://hdl.handle.net/10500/6991 |
|
dc.identifier.uri |
http://booksandjournals.brillonline.com/content/10.1163/187501708788426693 |
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dc.description.abstract |
Willem Bartsius (c.1612 – in or after 1639) is a seventeenth-century Dutch painter
whose artistic output has puzzled art historians. Only six signed works have survived
and on the basis of stylistic analogy, another ten paintings have been attributed to
him. The scarcity of his paintings has been explained in the light of his being active
for less than a decade during the 1630s, his career being cut short prematurely by
his presumed death in or after 1639. The existence of a drawing, signed and dated
‘BARTIVS f. / 1657’, in Cologne1 at first made me anticipate the possibility that he
lived much longer, but the authorship of the drawing proves to be questionable. In
this article I will present the known facts of the artist’s life and try to reconstruct his
movements. This is followed by a discussion of works by or attributed to Willem
Bartsius in an attempt to establish his extant oeuvre and define his strengths and
preferences in terms of style and iconography. His output will be considered in the
context of Dutch history painting at that time in order to arrive at a plausible reconstruction
of his artistic achievement. |
en |
dc.language.iso |
en |
en |
dc.publisher |
Brill Online Books and Journals |
en |
dc.title |
Willem Bartsius and the art of Dutch history painting |
en |
dc.type |
Article |
en |
dc.description.department |
Art History, Visual Arts and Musicology |
en |