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"Threatre as a memory machine" : Magrita Prislo (1806) and Donkerland (1996)

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dc.contributor.author Keuris, Marisa
dc.date.accessioned 2011-11-15T12:05:49Z
dc.date.available 2011-11-15T12:05:49Z
dc.date.issued 2011-11-01
dc.identifier.uri http://hdl.handle.net/10500/5036
dc.description Inaugural lecture
dc.description.abstract Theatre, as a simulacrum of the cultural and historical process itself, seeking to depict the full range of human actions within their physical context, has always provided society with the most tangible records of its attempts to understand its own operations. It is the repository of cultural memory, but, like the memory of each individual, it is also subject to continual adjustment and modification as the memory is recalled in new circumstances and contexts. en
dc.language.iso en en
dc.subject Theatre en
dc.title "Threatre as a memory machine" : Magrita Prislo (1806) and Donkerland (1996) en
dc.type Presentation en


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