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Kentridge, Mozart, Namibia... Black Box / Chambre Noir in Berlin Guggenheim

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dc.contributor.author Geldenhuys, Daniel G.
dc.date.accessioned 2009-08-21T09:43:35Z
dc.date.available 2009-08-21T09:43:35Z
dc.date.issued 2006
dc.identifier.citation Geldenhuys, Daniel G. 2006. 'Kentridge, Mozart, Namibia... Black Box / Chambre Noir in Berlin Guggenheim.' South African Journal of Art History 21(1): 39-46 en_US
dc.identifier.issn 0258-3542
dc.identifier.uri http://hdl.handle.net/10500/498
dc.description.abstract The article deals with Black Box/Chambre Noir by William Kentridge, an art creation consisting of a miniature mechanized theatre, which had as commissioned work been exhibited at the Deutsche Guggenheim in Berlin. The artistic process and development of the art work is explored. Special attention is paid to the historical context and background, in relation to the animated video film screened onto the miniature theatre scene, as well as to the value and meaning of its accompanying music. The message being conveyed by the artistic creation as “Gesamtkunstwerk” is taken into account. en_US
dc.language.iso en en_US
dc.publisher Art Historical Work Group of South Africa en_US
dc.relation.ispartofseries South African Journal of Art History en_US
dc.relation.ispartofseries 21(1) en_US
dc.subject William Kentridge en_US
dc.subject South Africa en_US
dc.subject art en_US
dc.subject Black Box / Chambre Noir en_US
dc.subject Deutsche Guggenheim en_US
dc.subject mechanized theatre en_US
dc.subject Gesamtkunstwerk en_US
dc.subject Berlin en_US
dc.subject Wolfgang Amadeus Mozart en_US
dc.title Kentridge, Mozart, Namibia... Black Box / Chambre Noir in Berlin Guggenheim en_US
dc.type Article en_US


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