dc.contributor.author |
Geldenhuys, Daniel G.
|
|
dc.date.accessioned |
2009-08-21T09:43:35Z |
|
dc.date.available |
2009-08-21T09:43:35Z |
|
dc.date.issued |
2006 |
|
dc.identifier.citation |
Geldenhuys, Daniel G. 2006. 'Kentridge, Mozart, Namibia... Black Box / Chambre Noir in Berlin Guggenheim.' South African Journal of Art History 21(1): 39-46 |
en_US |
dc.identifier.issn |
0258-3542 |
|
dc.identifier.uri |
http://hdl.handle.net/10500/498 |
|
dc.description.abstract |
The article deals with Black Box/Chambre Noir by William Kentridge, an art creation consisting of a miniature
mechanized theatre, which had as commissioned work been exhibited at the Deutsche Guggenheim in Berlin.
The artistic process and development of the art work is explored. Special attention is paid to the historical
context and background, in relation to the animated video film screened onto the miniature theatre scene, as well
as to the value and meaning of its accompanying music. The message being conveyed by the artistic creation as
“Gesamtkunstwerk” is taken into account. |
en_US |
dc.language.iso |
en |
en_US |
dc.publisher |
Art Historical Work Group of South Africa |
en_US |
dc.relation.ispartofseries |
South African Journal of Art History |
en_US |
dc.relation.ispartofseries |
21(1) |
en_US |
dc.subject |
William Kentridge |
en_US |
dc.subject |
South Africa |
en_US |
dc.subject |
art |
en_US |
dc.subject |
Black Box / Chambre Noir |
en_US |
dc.subject |
Deutsche Guggenheim |
en_US |
dc.subject |
mechanized theatre |
en_US |
dc.subject |
Gesamtkunstwerk |
en_US |
dc.subject |
Berlin |
en_US |
dc.subject |
Wolfgang Amadeus Mozart |
en_US |
dc.title |
Kentridge, Mozart, Namibia... Black Box / Chambre Noir in Berlin Guggenheim |
en_US |
dc.type |
Article |
en_US |