Research Outputs (Afrikaans and Theory of Literature): Recent submissions

Now showing items 41-45 of 45

The (re)working of dramatic language in Janet Suzman's The Free State

Keuris, Marisa (Taylor & Francis, 2007-08-08)

In her play The Free State: A South African Response to Chekhov’s “The Cherry Orchard” Janet Suzman took Chekhov’s The Cherry Orchard and transposed it into post-1994 South African idiom. A process of “acculturation” was ...
Athol Fugard's Exits and Entrances: The Playwright, the Actor and the Poet

Keuris, Marisa (Taylor & Francis, 2008-08-13)

The theme of “exits and entrances” can be traced on various levels, e.g. on the personal level of death (Fugard’s father, the deaths of Marais and Huguenet) and birth (Fugard’s daughter); on the professional level (the ...
Fugard and the recent Afrikaans translations of his plays: a subversive exercise?

Keuris, Marisa (Taylor & Francis, 2011-12-01)

This article focuses on the Afrikaans translations of Fugard’s plays – particularly the five plays translated by Idil Sheard and published by Maskew Miller Longman from 2005 to 2009. The discussion is placed within the ...
Between Languages: Athol Fugard and/in Afrikaans

Keuris, Marisa (Taylor & Francis, 2010-08-27)

A study of dramatic language in a playwright’s oeuvre should, according to Vimala Herman (1995), not only focus on the interactive and interactional uses of dialogue, but should also include a discussion of the wider ...
Fugard and the recent Afrikaans translations of his plays: a subversive exercise?

Keuris, Marisa (2011)

Recently added