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Western Art Music in History and Society

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dc.contributor.author Behr, Annemie
dc.date.accessioned 2024-03-07T14:48:34Z
dc.date.available 2024-03-07T14:48:34Z
dc.date.issued 2023
dc.identifier.uri https://hdl.handle.net/10500/30935
dc.description.abstract This presentation introduces a series of modules on Western Art Music in History and Society offered at the University of South Africa (UNISA). Aimed at Bachelor of Music and Bachelor of Arts students, the modules provide a chronological survey of Western Art Music from ancient times to the present. Beyond the curriculum, the presentation delves into the critical importance of understanding the history of Western Art Music in the context of colonization, power dynamics, and oppression. It explores the relevance of classical music in a diverse musical landscape and raises questions about who tells the historical narrative and whose stories are included. Furthermore, the presentation addresses the need for decolonization in the study of Western Art Music, referencing the #Rhodesmustfall movement and advocating for a shift in perspectives. It encourages students to approach the course with awareness, questioning traditional narratives and promoting inclusivity. Concluding with a call to actively participate in the decolonization project, the presentation envisions a journey where students listen and respond to history, Western Art Music, themselves, and each other. en
dc.language.iso en en
dc.subject Western art music en
dc.subject Opera and Choral Music en
dc.subject Decolonization in music education en
dc.subject history as storytelling en
dc.title Western Art Music in History and Society en
dc.type Learning Object en
dc.type Multimedia en
dc.type Presentation en
dc.type Video en
dc.description.department Art and Music en


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