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Browsing Visual Arts by Title

Browsing Visual Arts by Title

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  • Permeate 
    Odunayo Orimolade (Yusuf Grillo Gallery, Yaba, Lagos, 2022-12-10)
    This performance project engages power structures and how are informed by Permeation, resistance, and circumvention. The Limbo of strategizing and negotiation of spaces constructs fabulation on the perception of power, ...
  • The portrait: a sense of time and place - Unisa staff exhibition, "Uncanny stories" (2021) 
    Opperman, Johann (2021)
    Through my creative processes, I meet the challenge of evoking a sense of place and navigating the unfolding time of faraway countries visited. I am influenced by the richness of the fabrics that I love in these spaces, ...
  • Psychosocial 
    MOSAKO, Daniel Rankadi (Glen Carlou Gallery, Stellenbosch, South Africa, 2022-07-26)
    The three pieces collectively address the universal human challenge of psychosocial behaviour and dilutions as components of people's emotional, psychological, and social well-being worldwide. The pieces were displayed as ...
  • Reading Harari. 21 Reasons 
    Miller, Gwenneth (2020)
    The ink drawing depicts impressions of a hospital room and details of life-preserving equipment, such a s IV drips, a monitor, electrical wiring and a wash bowl. Central to the composition is a suggestion of a veiled figure ...
  • Record of Pangbourne 
    Miller, Gwenneth (2019)
    "Record of Pangbourne" incorporates a scan of a page from the only record book of the artist's father, where livestock and the cycles of drought and rain were captured. Reflecting on an ethic of care, the artist added an ...
  • Reservoir I, II and III 
    Miller, Gwenneth; Miller, Gwenneth (2020)
    These artworks are images of witnessing transient life and speak of our incredible ability of finding beauty in the moment, even during profound trauma. When completely at a loss for words, intense observation becomes a ...
  • RESILENCE / MENTAL HEALTH 
    MOSAKO, Daniel Rankadi (UNISA ART Gallery, 2021-11-07)
    I used the concept of resilience and mental health as my interpretation of ”Uncanny stories” resulting in three large digital prints and a triptych forming a monumental action drawing. The context of ‘Resilience’ can ...
  • Sithwelenzim Bazalikazi 
    Mpako, Nombeko (Unisa Gallery, 2022-09-24)
    SITHWELENZIMA BAZALIKAZI “Sithwelenzima Bazalikazi series 2022” (we are struggling fellow mothers) is composed of photographs of staged performances of myself and sometimes with other women performing challenging mundane ...
  • Song of the philosopher 
    Dreyer, Elfriede (Galerie Latuvu; Rust-en-Vrede Gallery; Trent Gallery, 2023)
    The "Song of the philosopher" research project (2023) entailed 32 artworks and three solo exhibitions: A solo in the Western Cape at Rust-en-Vrede Gallery, Durbanville (11 March - 5 April 2023); a solo at Latuvu Gallery, ...
  • Sorrow 
    Miller, Gwenneth (2020)
    The drawing was presented as port of solo exhibition titled: “Enfolding”, which finds an echo in Gilles Deleuze' (1993) writing on The fold. The ink drawing "Sorrow" developed as an extension of the print work “The thread ...
  • The thread of all sorrows 
    Miller, Gwenneth (2020)
    “The thread of all sorrows” was compiled from digitally cropped details from various Renaissance paintings portraying lamentation. The concepts of this work and the ink drawing "Sorrow" recognise that the experience of ...
  • Transshipped 
    Dreyer, Elfriede (edg2020 Gallery, Johannesburg, 2021)
    My main conceptual preoccupation has been focused on worldmaking discourses and the ideologies of place and space. Central concepts are utopia, dystopia and heterotopia as nuances of a family of constructions around place, ...
  • Uncanny Stories Exhibition, Unisa (December 2021) : Soft Targets Series 
    Hetta, Pieterse (Hetta Pieterse, 2021-12-07)
    My `Soft Targets’ series of works aim to protest against South Africa’s harrowing levels of gender-based violence. Intimate partner violence in domestic spaces is suggested across a set of eleven prints, of which seven ...
  • Under the Surface 
    Miller, Gwenneth; Miller, Gwenneth (RK Contemporary, White River and Unisa Art Gallery, 2022)
    The project “Under the surface” consisted of 22 new works in a range of media. The installations were interactions between specific ‘ecologies’ of people and places. I used three group exhibitions as an emergent method of ...
  • We knew how to build a dam 
    Miller, Gwenneth (2020)
    Dark tones of black and Indigo saturates the surface of these paintings to evoke the melanchholic mood. The phrases “We know how to build a dam” and “To stop a river from flowing”, used as titles of two small paintings, ...
  • Whistleblowing and Precarious power 
    Maja, Kabelo James Kwame (2021-11-15)
    The artworks Whistleblowing and Precarious power form a body of research work that explores the broader social paradox of ethics in contemporary societies globally, employing the understanding and visual language of soccer. ...

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