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Browsing Unisa Creative Outputs by Title

Browsing Unisa Creative Outputs by Title

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  • Isikhuni Sibuya Nomkhwezele 
    Filita, Sango (2021)
    This body of work Isikhuni Sibuya Nomkhwezele, translated as ‘Burning firewood is managed by the one manning the fire’ is triggered by problems emanating from the COVID-19 pandemic, addressing some of the socio-political ...
  • IZANDLA EZIHLE ZABAZALIKAZI 
    Mpako (Durban University of Technology - Art Gallery, Durban KZN, 2022-09-24)
    The exhibition “Izandla Ezihle Zabazalikazi” meaning “beautiful hands of motherhood” was activism for single parenting motherhood presented through actionism artistic discourse. It sought to present the argument that single ...
  • Karen Devroop and Fabrizio Savino at the 2019 Unisa Jazz festival 
    Devroop, Karendra (2019-04-12)
    This creative output involved a jazz quintet performance at the 2019 Unisa Jazz Festival. The featured artists involved a collaboration between Karendra Devroop (South Africa) and internationally acclaimed jazz guitarist, ...
  • Karen Devroop with the Johannesburg Festival Orchestra 2019 POPS Concert 
    Devroop, Karendra (2019-11-10)
    This creative output involves a solo performance on my part as soloist with the Johannesburg Festival Orchestra at ZK Matthews Great Hall in Pretoria. Being invited to perform as soloist with an orchestra is a huge honour. ...
  • Karen Devroop with the Johannesburg Festival Orchestra 2021 
    Devroop, Karendra (2021-10-16)
    Performances of soloists with orchestra are intense and require a lot of preparation and rehearsals because in addition to the soloist needing to have good technical ability, a host of other factors come into play when ...
  • Karen Devroop with the Johannesburg Philharmonic Orchestra 2022 
    Devroop, Karendra (2022-02-11)
    The saxophone, an instrument renowned for its expressive capabilities and versatility, has found a significant place within the traditional orchestra, marking a departure from the orchestral norms of the past. Furthermore, ...
  • Karen Devroop with the Lamont Symphony Orchestra 
    Devroop, Karendra (2020-03-10)
    Receiving an invitation to perform with an international symphony orchestra is no small feat. From the large number of applications received by various orchestras around the world, only a handful of artists receive invitations ...
  • The knot that cannot be untangled 
    Miller, Gwenneth (2020)
    “The knot that cannot be untangled” (2020) developed from an end-of-life experience. Moving between the edges of known and unknown, I explored the folds in a hospital bed sheet, and the sense of returning to a universe of ...
  • Knowing 
    Orimolade, Odun (2021-10-09)
    This body of work titled “Knowing” explores trajectory of space and action as an intuitive development of reflection and reflexivity. It engages with internal reorientation for external navigation. The space, the work and ...
  • Lamaphupha ithini kanti into yawo 2021 (these dreams what is their meaning) 
    Mpako, Nombeko (Unisa Art Gallery, 2021-09-24)
    “Lamaphupha ithini kanti into yawo 2021” series, meaning what is the meaning of these dreams is composed of photographs from performances some manipulated to complete the context and narrative of “surrealism”. Included ...
  • Liquid life 
    Miller, Gwenneth; Miller, Gwenneth (2020)
    The work is developed from photographs of details of life-preserving equipment, such a s IV drips, monitors, electric wiring and tubes. Indian ink drawing overlays a collaged print of a laboratory from the archives of Dr ...
  • Lockdown! Recording a song using household objects and a cellphone 
    Jeffery, Christopher Derek (2020-04-30)
    Overview and problem statement Music production fetishizes expensive hardware and software solutions, implying that effective music creation is an exercise in commercial consumerism. The ubiquity of images of well-appointed ...
  • Marc Duby More Garde Than Avant Happen(dot)Stance 
    Duby, Marc (2022)
  • Matrix 
    Dreyer, Elfriede (Gallery at Glen Carlou; Pretoria Arts Association, 2021)
    In the Matrix series of works, the idea of an ‘other’ space is presented: Simulated, embodied and different to the experienced, physical real. The idea of a matrix is connected to simulation and illusion, and it is presented ...
  • Ndabe Zitha (String Quartet No: 1) 
    Mulungo, Bernett Nkwayi (2019-11-28)
    Ndabe Zitha String Quartet No: 1 by Bernett Nkwayi Mulungo The writing of this composition, similarly, to the Gazankulu Suite written in the same year, was inspired by compositional questions I had during my teaching ...
  • Ndithunuke ndizophola 2021’ installation 
    Mpako, Nombeko (University of South Africa Art Gallery, 2021-09-24)
    Installation “Ndithunuke ndizophola 2021” series. Ndithunuke ndizophola is an elevated 10m x 10m slopping octagon labyrinth with network of paths on which viewers walked through red maze lines to the centre where a stop ...
  • New dams from the old 
    Miller, Gwenneth (2019)
    "New dams from the old" was collated from photographs the artist took of ten small dams built by her father to provide water for his animals. Many of the dams were washed away, but in symbolic hope, he would repeatedly ...
  • NIGERIAN LEG - Covid19 African masks collaborative visual art practice-led/based project 
    Odunayo Orimolade; Nombeko Mpako (Yusuf Grillo Gallery. Yaba, Lagos, 2022-07-10)
    Annotation: NIGERIAN LEG: Covid19 African masks collaborative visual art practice-led/based project This practical project formed part of the “Covid19 African masks collaborative visual art practice-led/based project” ...
  • Permeate 
    Odunayo Orimolade (Yusuf Grillo Gallery, Yaba, Lagos, 2022-12-10)
    This performance project engages power structures and how are informed by Permeation, resistance, and circumvention. The Limbo of strategizing and negotiation of spaces constructs fabulation on the perception of power, ...
  • The portrait: a sense of time and place - Unisa staff exhibition, "Uncanny stories" (2021) 
    Opperman, Johann (2021)
    Through my creative processes, I meet the challenge of evoking a sense of place and navigating the unfolding time of faraway countries visited. I am influenced by the richness of the fabrics that I love in these spaces, ...

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