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Browsing Unisa Creative Outputs by Title

Browsing Unisa Creative Outputs by Title

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  • Black tears and the sea 
    Miller, Gwenneth (2019)
    In the work “Black tears and the sea” (2019), a photograph of an unusually quiet sea on a hazy, grey day, was digitally overlaid with glass drops. The title recalls the idea of dark tears, a murky bodily fluid, as if quoting ...
  • Creatures of Home series 
    Luneburg, Nathani (2020-11)
    Creatures of Home (2020) consists of eight framed pen and ink portrait drawings of my childhood dogs, dressed in human clothing and posing against patterned backgrounds. The backgrounds are drawn digitally with the Photoshop ...
  • Devroop and Prins Duo 
    Devroop, Karendra (2022-09-11)
    The piano and saxophone duo has emerged as a powerful musical combination, demonstrating the evolution of both instruments and their significant role in shaping contemporary music. The piano, dating back several centuries, ...
  • A Dictionary of Arts and Sciences Compiled upon a New Plan – Unisa Staff Exhibition “Uncanny Stories” (2021) 
    Krajewska, Ania (2021)
    The series of artworks, A Dictionary of Arts and Sciences Compiled upon a New Plan interrogates Western epistemology’s overreliance on categorization and reacts against framing and hierarchical approach to the world at ...
  • Dullstroom Dam 
    Miller, Gwenneth
    "Dullstroom Dam" depicts a drained dam, emptied by the owner to restore the structure. Part of his attempt to prevent reeds from taking over, he laid rubber mats at the basin. The repetitive linear patterns of the material ...
  • Dune Whispers 
    Odunayo Orimolade (UNISA Art Gallery, Unisa Muckleneuk Campus, Pretoria, 2022-10-08)
    Dune Whispers was a drawing performance employing the shifting nature which both generates and degenerates earth as a navigational space where change is continuous and re-imaginable. The performance engages the ethereality ...
  • Endangered Horns Ensemble 
    Devroop, Karendra (2021-06-11)
    This creative output submission contains two separate performances with me performing in two ensembles that performed during the 2021 Unisa Virtual Jazz Festival. The festival included some of South Africa’s most high-profile ...
  • Enfolding 
    Miller, Gwenneth (2020)
    The series of artworks formed part of a project, "Enfolding" that researched memory embedded in folds and layers; captured in sites and objects. Painterly marks and stains express the nature of memory to be detailed at ...
  • Folds. Anticipated abundance 
    Miller, Gwenneth (2018)
    "Folds: Assumed Abundance" was inspired by fabrics in Renaissance and Baroque paintings and contemporary Vlisco wax prints. This work commenced with research into the origins of colour pigments and the historical context ...
  • Forest for my Love series 
    Miller, Gwenneth (2020)
    The first section of the ink drawing's title "Forest for my love" originates from the physical site of a park where trees were planted as an act of remembrance. The series of artworks reflect on healing rituals and ethic ...
  • Gazankulu Suite (Piano Trio: Piano, Clarinet and Violin) 
    Mulungo, Bernett Nkwayi (2019-12-07)
    Gazankulu Suite by Bernett Nkwayi Mulungo The writing of this composition, similarly, to the Ndabe-Zitha String Quartet No: 1 written in the same year, was inspired by compositional questions I had during my teaching of ...
  • Gills of other creatures 
    Miller, Gwenneth (Unisa Art Gallery, 2021-12-07)
    The exhibition “Gills of other creatures” set out to visually explore the problem of living with death experience in my own struggle to move beyond mourning. The search developed from a previous exhibition, “Enfolding”, ...
  • Isikhuni Sibuya Nomkhwezele 
    Filita, Sango (2021)
    This body of work Isikhuni Sibuya Nomkhwezele, translated as ‘Burning firewood is managed by the one manning the fire’ is triggered by problems emanating from the COVID-19 pandemic, addressing some of the socio-political ...
  • IZANDLA EZIHLE ZABAZALIKAZI 
    Mpako (Durban University of Technology - Art Gallery, Durban KZN, 2022-09-24)
    The exhibition “Izandla Ezihle Zabazalikazi” meaning “beautiful hands of motherhood” was activism for single parenting motherhood presented through actionism artistic discourse. It sought to present the argument that single ...
  • Karen Devroop and Fabrizio Savino at the 2019 Unisa Jazz festival 
    Devroop, Karendra (2019-04-12)
    This creative output involved a jazz quintet performance at the 2019 Unisa Jazz Festival. The featured artists involved a collaboration between Karendra Devroop (South Africa) and internationally acclaimed jazz guitarist, ...
  • Karen Devroop with the Johannesburg Festival Orchestra 2019 POPS Concert 
    Devroop, Karendra (2019-11-10)
    This creative output involves a solo performance on my part as soloist with the Johannesburg Festival Orchestra at ZK Matthews Great Hall in Pretoria. Being invited to perform as soloist with an orchestra is a huge honour. ...
  • Karen Devroop with the Johannesburg Festival Orchestra 2021 
    Devroop, Karendra (2021-10-16)
    Performances of soloists with orchestra are intense and require a lot of preparation and rehearsals because in addition to the soloist needing to have good technical ability, a host of other factors come into play when ...
  • Karen Devroop with the Johannesburg Philharmonic Orchestra 2022 
    Devroop, Karendra (2022-02-11)
    The saxophone, an instrument renowned for its expressive capabilities and versatility, has found a significant place within the traditional orchestra, marking a departure from the orchestral norms of the past. Furthermore, ...
  • Karen Devroop with the Lamont Symphony Orchestra 
    Devroop, Karendra (2020-03-10)
    Receiving an invitation to perform with an international symphony orchestra is no small feat. From the large number of applications received by various orchestras around the world, only a handful of artists receive invitations ...
  • The knot that cannot be untangled 
    Miller, Gwenneth (2020)
    “The knot that cannot be untangled” (2020) developed from an end-of-life experience. Moving between the edges of known and unknown, I explored the folds in a hospital bed sheet, and the sense of returning to a universe of ...

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