This peer-reviewed book chapter looks at the post-1994 Hillbrow novel, Room 207 by Kgebetli Moele, (2006), with a view to tracing its thematic and stylistic successes or failures in branding indigenous African thinking as ...

The Zion Christian Church (ZCC) has been documented as an AIC the trope of Christian religion of which is tampered with Africanism. Such an Africanism encapsulates the valuing of oral history and other aspects of orature ...

This paper outlines dominant views of South African English literature critics from the 19th century to the present. Against this backdrop, I examine some English texts written by blacks in order to demonstrate how attempts ...

This article looks at Mphahlele’s application of his theory of Afrikan Humanism in his novel Father Come Home (1984). Since he regards religion as pervasive in the life of Africans, the novel is analysed from a religious ...

This article argues that credit given to South African writers who were exiled during the fifties when banning by the apartheid government was rife, is sometimes premised on inadequate awareness of the contributions of ...

Bessie Head was one of the Drum writers of the 1950s. As critics such as Huma Ibrahim have indicated it was only after her death in 1986 that she was included in discussions on the Drum generation. The result of her prior ...

This chapter looks at the cultural significance of poetry that is presented orally within the Zion Christian Church (ZCC). While such poetry belongs to the African Initiated Church's oral tradition, my method of analyzing ...

The continuation of the discourses of apartheid era African language literature characterized by the makgoweng motif in post-apartheid English literature written by black people has not been studied adequately. In this ...

The quest of this paper is to probe whether globalising post-nationalism impacts on post- apartheid black South African English literature in a manner that suggests a blurring of distinctive African identities. This is ...

This article examines a rethinking of the historic Marikana tragedy of 16 August 2012, as encoded in the eNCA documentary film The Marikana Massacre: Through the Lens. My approach is in the form of commentary on the act, ...