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Inventions and transformations : an exploration of mythification and remythification in four contemporary novels

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dc.contributor.advisor Viljoen, L. (Prof.) en
dc.contributor.author Slabbert, Mathilda en
dc.date.accessioned 2009-08-25T11:02:01Z
dc.date.available 2009-08-25T11:02:01Z
dc.date.issued 2009-08-25T11:02:01Z
dc.date.submitted 2006-02-28 en
dc.identifier.citation Slabbert, Mathilda (2009) Inventions and transformations : an exploration of mythification and remythification in four contemporary novels, University of South Africa, Pretoria, <http://hdl.handle.net/10500/2267> en
dc.identifier.uri http://hdl.handle.net/10500/2267
dc.description.abstract The reading of four contemporary novels, namely: Credo by Melvyn Bragg, The Catastrophist by Ronan Bennett, Everything You Need by A.L. Kennedy and American Gods by Neil Gaiman explores the prominent position of mythification and remythification in contemporary literature. The discussion of Bragg's novel examines the significance of Celtic mythology and folklore and to what extent it influenced Christian mythology on the British Isles and vice versa. The presentation of the transition from a cyclical, pagan to a linear, Christian belief system is analysed. My analysis of Bennett's novel supports the observation that political myth as myth transformed contains elements and qualities embodied by sacred myths and investigates the relevance of Johan Degenaar's observation that "[p]ostmodernism emphasises the fact that myth is an ambiguous phenomenon" and practices an attitude of "eternal vigilance" (1995: 47), as is evident in the main protagonist's dispassionate stance. My reading of Kennedy's novel explores the bond that myth creates between the artist and the audience and argues that the writer as myth creator fulfils a restorative function through the mythical and symbolic qualities embedded in literature. Gaiman's novel American Gods focuses on the function of meta/multi-mythology in contemporary literature (especially the fantasy genre) and on what these qualities reveal about a society and its concerns and values. The thesis contemplates how in each case the original myths were substituted, modulated or transfigured to be presented as metamyth or myth transformed. The analysis shows that myth can be used in various ways in literature: as the data or information that is recreated and transformed in the creative process to establish a common matrix of stories, symbols, images and motifs which represents a bond between the author and the reader in terms of the meaning-making process; to facilitate a spiritual enrichment in a demythologized world and for its restorative abilities. The study is confirmed by detailed mythical reference. en
dc.format.extent 1 online resource (211 leaves)
dc.language.iso en en
dc.subject Election and initiation en
dc.subject Shamanism en
dc.subject Sin and guilt en
dc.subject Scapegoats en
dc.subject Ritual en
dc.subject Fantasy en
dc.subject Sacred and ancient myth en
dc.subject Theory of ideology en
dc.subject Political myth en
dc.subject Christian mythology en
dc.subject Peltic pagan mythology en
dc.subject Myth criticism en
dc.subject Mythopoesis en
dc.subject Remythification en
dc.subject Mythification en
dc.subject Myth transformation en
dc.subject.ddc 823.914
dc.subject.lcsh Myth in literature
dc.subject.lcsh English fiction -- 20th century -- History and criticism
dc.title Inventions and transformations : an exploration of mythification and remythification in four contemporary novels en
dc.type Thesis en
dc.contributor.email kakolwk@unisa.ac.za en
dc.description.department English Studies en
dc.description.degree (D. Litt. et Phil. (English)) en


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