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Music in the making: a case study of the Caravan Traditional Dance Group

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dc.contributor.advisor Duby, M.
dc.contributor.author Rambau, Lutanani Annah
dc.date.accessioned 2015-10-23T10:13:47Z
dc.date.available 2015-10-23T10:13:47Z
dc.date.issued 2015-02
dc.identifier.citation Rambau, Lutanani Annah (2015) Music in the making: a case study of the Caravan Traditional Dance Group, University of South Africa, Pretoria, <http://hdl.handle.net/10500/19625> en
dc.identifier.uri http://hdl.handle.net/10500/19625
dc.description Text in English en
dc.description.abstract This case study of the Caravan Traditional Dance group profiles Musisinyani Mackson Mavunda‘s contribution to Tsonga music and dance performing arts. The lack of documentation of the work of Tsonga local traditional composers and choreographers is well-known in South Africa. This is echoed by Kidula (2006: 109), stating that ‗many studies from the continent have few outlets in the global academy, inasmuch as the work done by foreign researchers is barely known in much of Africa‘. A few years in the future, it will not be known who the composer of a certain song was, and what their intentions were in composing that particular song. Naturally the composers want to send a message to the community and sometimes to entertain the community or compose for a certain ritual. Composers need a considerable amount of planning and carefully chosen words, choreography and so on and this becomes apparent when taking into account the time and effort they put into composing a song. In response to this problem and by placing the composers‘ narratives at the centre, the study examines the role of the founder of the Caravan Traditional Dance group (CTD), Musisinyani Mackson Mavunda, and his contribution to Tsonga music and dance performing arts. This requires a critical examination of all aspects of his CTD professional career: his musical beginnings, teaching career, teaching of Tsonga traditional dances and his social and cultural heritage in the society. The key finding of this study was that Musisinyani distinguishes the humanity of others, which is Ubuntu philosophy. Music is power. It has power from within the composer. This is seen through the composer‘s confidence, assertiveness and motivation when composing songs. Music has the power to do; this is the listeners‘ choice. Through the power of music, people can gain skills; they may be productive and can network and be innovative. Music also has power over people, and the power to influence communities, thereby helping unite community members to work towards a common cause to achieve a common goal. It therefore gives communities strength and cohesion. As the community they have the power to challenge the status quo and to encourage one another. en
dc.format.extent 1 online resource (180 leaves) : 1 color map
dc.language.iso en en
dc.subject.ddc 793.31968
dc.subject.lcsh Caravan Traditional Dance Group -- Case studies en
dc.subject.lcsh Mavunda, Musisinyani Mackson -- Criticism and interpretation en
dc.subject.lcsh Tsonga (African people) -- South Africa -- Dance -- History and criticism en
dc.subject.lcsh Tsonga (African people) -- South Africa -- Music -- History and criticism en
dc.subject.lcsh Folk songs, Tsonga -- South Africa -- History and criticism en
dc.subject.lcsh Folk dance music -- South Africa en
dc.subject.lcsh Songs, Tsonga -- South Africa -- History and criticism en
dc.title Music in the making: a case study of the Caravan Traditional Dance Group en
dc.title.alternative Caravan Traditional Dance Group
dc.type Dissertation en
dc.description.department Art History, Visual Arts and Musicology en
dc.description.degree M. Mus. (Musicology)


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