The artist uses herself as the object of study. Her subjective position is
validated within a theoretical framework provided by feminism,
existentialism and Freudian theory. The three world views provide the
context for ...
Artefacts acquire/embody migratory meanings according to
contexts of raw material manipulation, use, discard and
discourse. First-Millennium Agriculturist ceramics and
concomitant private and public significances/use ...