Some aspects of N.S. Puleng's poetry

Abstract

The study vacillates between the text, the reader and the author. Examining biography and such socio-cultural factors as marriage and cosmology, the reader is equipped with sufficient background which illuminates the ideology behind the text. The cosmological conceptions of the Northern Sotho shed some light on the poet's views on the child's first cry. These assumptions lay a foundation for the religious views expressed in his texts. The contradictions between African religion and Christianity help us comprehend the frustrations of secular and religious lives in our country. These also serve as linchpins towards understanding the pursuit of religious pluralism. The concept 'intertextuality' is explored. Cases of intratextuality and intertextuality which dispute the absolutist view in meaning composition highlight the interrelatedness of texts and how each relationship impacts on meaning.